Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
WORKS OF SWIFT. The poems of Swift, though they show undoubted power (every
smallest thing he wrote bears that stamp), may be passed over with the
comment of his relative Dryden, who wrote: "Cousin Swift, you will never be
a poet." The criticism was right, but thereafter Swift jeered at Dryden's
poetry. We may pass over also the _Battle of the Books_, the
_Drapier's Letters_ and a score more of satires and lampoons. Of all
these minor works the _Bickerstaff Papers_, which record Swift's
practical joke on the astrologers, are most amusing. [Footnote: Almanacs
were at that time published by pretender astrologers, who read fortunes or
made predictions from the stars. Against the most famous of these quacks,
Partridge by name, Swift leveled his "Predictions for the year 1708, by
Isaac Bickerstaff." Among the predictions of coming events was this trifle:
that Partridge was doomed to die on March 29 following, about eleven
o'clock at night, of a raging fever. On March 30 appeared, in the
newspapers, a letter giving the details of Partridge's death, and then a
pamphlet called "An Elegy of Mr. Partridge." Presently Partridge, who could
not see the joke, made London laugh by his frantic attempts to prove that
he was alive. Then appeared an elaborate "Vindication of Isaac
Bickerstaff," which proved by the infallible stars that Partridge was dead,
and that the astrologer now in his place was an impostor. This joke was
copied twenty-five years later by Franklin in his _Poor Richard's
Almanac._]
[Sidenote: GULLIVER'S TRAVELS]
Swift's fame now rests largely upon his _Gulliver's Travels_, which
appeared in 1726 under the title, "Travels into Several Remote Nations of
the World, by Lemuel Gulliver, first a Surgeon and then a Captain of
Several Ships." In the first voyage we are taken to Lilliput, a country
inhabited by human beings about six inches tall, with minds in proportion.
The capers of these midgets are a satire on human society, as seen through
Swift's scornful eyes. In the second voyage we go to Brobdingnag, where the
people are of gigantic stature, and by contrast we are reminded of the
petty "human insects" whom Gulliver represents. The third voyage, to the
Island of Laputa, is a burlesque of the scientists and philosophers of
Swift's day. The fourth leads to the land of the Houyhnhnms, where
intelligent horses are the ruling creatures, and humanity is represented by
the Yahoos, a horribly degraded race, having the forms of men and the
bestial habits of monkeys.
Such is the ferocious satire on the elegant society of Queen Anne's day.
Fortunately for our peace of mind we can read the book for its grim humor
and adventurous action, as we read any other good story. Indeed, it
surprises most readers of _Gulliver_ to be told that the work was
intended to wreck our faith in humanity.
[Sidenote: QUALITY OF SWIFT]
Public-domain text, read in full here on John Shaqi.
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