Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
Ah, gentle dames, it gars me greet
To think how mony counsels sweet,
How mony lengthened sage advices
The husband frae the wife despises!
WHY BURNS IS READ. Such qualities, appearing on almost every page of
Burns's little book of poetry, show how widely he differs from the formal
school of Pope and Dryden. They labor to compose poetry, while Burns gives
the impression of singing, as naturally as a child sings from a full heart.
Again, most eighteenth-century poets wrote for the favored few, but Burns
wrote for all his neighbors. His first book was bought farmers, plowboys,
milkmaids,--by every Lowlander who could scrape together three shillings to
buy a treasure. Then scholars got hold of it, taking it from humble hands,
and Burns was called to Edinburgh to prepare a larger edition of his songs.
For a half century Scotland kept him to herself, [Footnote: Up to 1850
Burns was rarely mentioned in treatises on English literature. One reason
for his late recognition was that the Lowland vocabulary employed in most
of his poems was only half intelligible to the ordinary English reader]
then his work went wide in the world, to be read again by plain men and
women, by sailors on the sea, by soldiers round the campfire, by farmers,
mechanics, tradesmen, who in their new homes in Australia or America warmed
themselves at the divine fire which was kindled, long ago, in the little
clay biggin at Alloway.
[Illustration: BURNS'S MAUSOLEUM]
[Sidenote: THE GENIUS OF BURNS]
If one should ask, Why this world wide welcome to Burns, the while Pope
remains a mark for literary criticism? the answer is that Burns has a most
extraordinary power of touching the hearts of common men. He is one of the
most democratic of poets, he takes for his subject a simple experience--a
family gathering at eventide, a fair, a merrymaking, a joy, a grief, the
finding of a flower, the love of a lad for a lass--and with rare simplicity
reflects the emotion that such an experience awakens. Seen through the
poet's eyes, this simple emotion becomes radiant and lovely, a thing not of
earth but of heaven. That is the genius of Burns, to ennoble human feeling,
to reveal some hidden beauty in a commonplace experience. The luminous
world of fine thought and fine emotion which we associate with the name of
poetry he opened not to scholars alone but to all humble folk who toil and
endure. As a shoemaker critic once said, "Burns confirms my former
suspicion that the world was made for me as well as for Cæsar."
* * * * *
MINOR POETS OF ROMANTICISM
There were other poets who aided in the romantic revival, and among them
William Cowper (1731-1800) is one of the most notable. His most ambitious
works, such as _The Task_ and the translation of Homer into blank
verse, have fallen into neglect, and he is known to modern readers chiefly
by a few familiar hymns and by the ballad of "John Gilpin."
Public-domain text, read in full here on John Shaqi.
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