Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
Of his family, noble in name but in nothing else, the least said
the better. He was born in London, but spent his childhood in
Aberdeen, under the alternate care or negligence of his erratic
mother. At ten he fell heir to a title, to the family seat of
Newstead Abbey, and to estates yielding an income of some £1400 per
year,--a large income for a poet, but as nothing to a lord
accustomed to make ducks and drakes of his money. In school and
college his conduct was rather wild, and his taste fantastic For
example, he kept a bulldog and a bear in his rooms, and read
romances instead of books recommended by the faculty. He tells us
that he detested poetry; yet he wrote numerous poems which show
plainly that he not only read but copied some of the poets.
[Footnote: These poems (revised and published as _Hours of
Idleness_) were savagely criticized in the _Edinburgh
Review_. Byron answered with his satiric _English Bards and
Scotch Reviewers_, which ridiculed not only his Scottish critics
but also Wordsworth, Scott,--in fact, most of the English poets,
with the exception of Pope, whom he praised as the only poet
ancient or modern who was not a barbarian.]
[Sidenote: A LITERARY LION]
At twenty-one Byron entered the House of Lords, and almost
immediately thereafter set sail for Lisbon and the Levant. On his
return he published the first two cantos of _Childe Harold's
Pilgrimage_, which made him famous. Though he affected to
despise his triumph, he followed it up shrewdly by publishing
_The Giaour_, _The Corsair_ and _Lara_, in which the
same mysterious hero of his first work reappears, under different
disguises, amid romantic surroundings. The vigor of these poems
attracted many readers, and when it was whispered about that the
author was recounting his own adventures, Byron became the center
of literary interest. At home he was a social lion; abroad he was
acclaimed the greatest of British poets. But his life tended more
and more to shock the English sense of decency; and when his wife
(whom he had married for her money) abruptly left him, public
opinion made its power felt. Byron's popularity waned; his vanity
was wounded; he left his country, vowing never to return. Also he
railed against what he called British hypocrisy.
[Illustration: LORD BYRON After the portrait by T. Phillips]
In Geneva he first met Shelley, admired him, was greatly helped by
him, and then grossly abused his hospitality. After a scandalous
career in Italy he went to help the Greeks in their fight for
independence, but died of fever before he reached the battle line.
THE POETRY OF BYRON. There is one little song of Byron which serves well as
the measure of his poetic talent. It is found in _Don Juan_, and it
begins as follows:
Public-domain text, read in full here on John Shaqi.
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