Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
The first three of Miss Austen's novels were written at Steventon,
among her innocent subjects, but her precious manuscripts went
begging in vain for a publisher. [Footnote: _Northanger
Abbey_, _Pride and Prejudice_ and _Sense and
Sensibility_ were written between 1796 and 1799, when Jane
Austen had just passed her twenty-first year. Her first novel was
bought by a publisher who neglected to print it. The second could
not be sold till after the third was published, in 1811.] The last
three, reflecting as in a glass the manners of another parish, were
written at Chawton, near Winchester. Then the good work suddenly
began to flag. The same disease that, a little later, was to call
halt to Keats's poetry of beauty now made an end of Miss Austen's
portrayal of everyday life. When she died (1817) she was only
forty-two years old, and her heart was still that of a young girl.
A stained-glass window in beautiful old Winchester Cathedral speaks
eloquently of her life and work.
[Sidenote: NOVELS AND CHARACTERS]
If we must recommend one of Miss Austen's novels, perhaps _Pride and
Prejudice_ is the most typical; but there is very little to justify this
choice when the alternative is _Northanger Abbey_, or _Emma_, or
_Sense and Sensibility_, or _Persuasion_, or _Mansfield
Park_. All are good; the most definite stricture that one can safely
make is that _Mansfield Park_ is not so good as the others. Four of
the novels are confined to country parishes; but in _Northanger Abbey_
and _Persuasion_ the horizon is broadened to include a watering place,
whither genteel folk went "to take the air."
The characters of all these novels are: first, the members of five or six
families, with their relatives, who try to escape individual boredom by
gregariousness; and second, more of the same kind assembled at a local fair
or sociable. Here you meet a dull country squire or two, a feeble-minded
baronet, a curate laboriously upholding the burden of his dignity, a doctor
trying to hide his emptiness of mind by looking occupied, an uncomfortable
male person in tow of his wife, maiden aunts, fond mammas with their
awkward daughters, chatterboxes, poor relations, spoiled children,--a
characteristic gathering. All these, except the spoiled children, talk with
perfect propriety about the weather. If in the course of a long day
anything witty is said, it is an accident, a phenomenon; conversation
halts, and everybody looks at the speaker as if he must have had "a rush of
brains to the head."
[Sidenote: HER SMALL FIELD]
Public-domain text, read in full here on John Shaqi.
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