Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
His first literary success came with some short stories contributed
to the magazines, which appeared in book form as _Sketches by
Boz_ (1835). A publisher marked these sketches, engaged Dickens
to write the text or letterpress for some comic pictures, and the
result was _Pickwick_, which took England and America by
storm. Then followed _Oliver Twist_, _Nicholas Nickleby_,
_Old Curiosity Shop_,--a flood of works that made readers rub
their eyes, wondering if such a fountain of laughter and tears were
inexhaustible.
There is little else to record except this: that from the time of
his first triumph Dickens held his place as the most popular writer
in English. With his novels he was not satisfied, but wrote a
history of England, and edited various popular magazines, such as
_Household Words_. Also he gave public readings, reveling in
the applause, the lionizing, which greeted him wherever he went. He
earned much money; he bought the place "Gadshill," near Rochester,
which he had coveted since childhood; but he was a free spender,
and his great income was less than his fancied need. To increase
his revenue he "toured" the States in a series of readings from his
own works, and capitalized his experience in _American Notes_
and parts of _Martin Chuzzlewit_.
A question of taste must arise even now in connection with these
works. Dickens had gone to a foreign country for just two things,
money and applause; he received both in full measure; then he bit
the friendly hand which had given him what he wanted. [Footnote:
The chief source of Dickens's irritation was the money loss
resulting from the "pirating" of his stories. There was no
international copyright in those days; the works of any popular
writer were freely appropriated by foreign publishers. This custom
was wrong, undoubtedly, but it had been in use for centuries.
Scott's novels had been pirated the same way; and until Cooper got
to windward of the pirates (by arranging for foreign copyrights)
his work was stolen freely in England and on the Continent. But
Dickens saw only his own grievance, and even at public dinners was
apt to make his hosts uncomfortable by proclaiming his rights or
denouncing their moral standards. Moreover, he had a vast conceit
of himself, and, like most visitors of a week, thought he knew
America like a book. It was as if he looked once at the welter cast
ashore by mighty Lake Superior in a storm, and said, "What a dirty
sea!"] Thackeray, who followed him to America, had a finer sense of
the laws of hospitality and good breeding.
[Sidenote: THE PRICE OF POPULARITY]
Public-domain text, read in full here on John Shaqi.
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