* * * * * MARY ANN EVANS, "GEORGE ELIOT" (1819-1880) More than other Victorian story-tellers George Eliot regarded her work with great seriousness as a means of public instruction. Her purpose was to show that human life is effective only as it follows its sense of duty, and that society is as much in need of the moral law as of daily bread. Other novelists moralized more or less, Thackeray especially; but George Eliot made the teaching of morality her chief business. LIFE. In the work as in the face of George Eliot there is a certain masculine quality which is apt to mislead one who reads _Adam Bede_ or studies a portrait of the author. Even those who knew her well, and who tried to express the charm of her personality, seem to have overlooked the fact that they were describing a woman. For example, a friend wrote: "Everything in her aspect and presence was in keeping with the bent of her soul. The deeply lined face, the too marked and massive features, were united with an air of delicate refinement, which in one way was the more impressive, because it seemed to proceed so entirely from within. Nay, the inward beauty would sometimes quite transform the outward harshness; there would be moments when the thin hands that entwined themselves in their eagerness, the earnest figure that bowed forward to speak and hear, the deep gaze moving from one face to another with a grave appeal,--all these seemed the transparent symbols that showed the presence of a wise, benignant soul." [Sidenote: A CLINGING VINE] That is very good, but somehow it is not feminine. So the impression has gone forth that George Eliot was a "strong-minded" woman; but that is far from the truth. One might emphasize her affectionate nature, her timidity, her lack of confidence in her own judgment; but the essence of the matter is this, that so dependent was she on masculine support that she was always idealizing some man, and looking up to him as a superior being. In short, she was one of "the clinging kind." Though some may regard this as traditional nonsense, it was nevertheless the most characteristic quality of the woman with whom we are dealing. [Sidenote: HER GIRLHOOD]