Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
LIFE. One notes first of all the man's inheritance. The Norse
element predominated in him, for the name Macaulay (son of Aulay)
is a late form of the Scandinavian _Olafson_. His mother was a
brilliant woman of Quaker descent; his father, at one time governor
of the Sierra Leone Colony in Africa, was a business man who gained
a fortune in trade, and who spent the whole of it in helping to
free the slaves. In consequence, when Macaulay left college he
faced the immediate problem of supporting himself and his family, a
hard matter, which he handled not only with his customary success
but also with characteristic enthusiasm.
Next we note Macaulay's personal endowment, his gift of rapid
reading, his marvelous memory which suggests Coleridge and Cotton
Mather. He read everything from Plato to the trashiest novel, and
after reading a book could recall practically the whole of it after
a lapse of twenty years. To this photographic memory we are
indebted for the wealth of quotation, allusion and anecdote which
brightens almost every page of his writings.
[Sidenote: HIS BRILLIANT CAREER]
After a brilliant career at college Macaulay began the study of
law. At twenty-five he jumped into prominence by a magazine essay
on Milton, and after that his progress was uninterrupted. He was
repeatedly elected to Parliament; he was appointed legal adviser to
the Supreme Council of India, in which position he acquired the
knowledge that appears in his essays on Clive and Hastings; he
became Secretary for War, and was elevated to the peerage as Baron
Macaulay of Rothley. It was said of him at that time that he was
"the only man whom England ever made a lord for the power of his
pen."
[Sidenote: HIS RECREATION]
The last thing we note, because it was to Macaulay of least moment,
is his literary work. With the exception of the _History of
England_ his writing was done at spare moments, as a relaxation
from what he considered more important labors. In this respect, of
writing for pleasure in the midst of practical affairs, he
resembles the Elizabethan rather than the Victorian authors.
While at work on his masterpiece Macaulay suddenly faltered, worn
out by too much work. He died on Christmas Day (1859) and was
buried in the place which he liked best to visit, the Poets' Corner
of Westminster Abbey. From the day on which he attracted notice by
his Milton essay he had never once lost his hold on the attention
of England. Gladstone summed up the matter in oratorical fashion
when he said, "Full-orbed Macaulay was seen above the horizon; and
full-orbed, after thirty-five years of constantly emitted splendor,
he sank below it." But Macaulay's final comment, "Well, I have had
a happy life," is more suggestive of the man and his work.
Public-domain text, read in full here on John Shaqi.
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