Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
That is Macaulay's way in all his essays. They are seldom wholly right in
their judgments; they are so often one-sided that the author declared in
later life he would burn them all if he could; but they are all splendid,
all worth reading, not simply for their matter but for their style and for
the wealth of allusion with which Macaulay makes his subject vital and
interesting. Among the best of the literary essays are those on Bunyan,
Addison, Bacon, Johnson, Goldsmith and Byron; among the historical essays
one may sample Macaulay's variety in Lord Clive, Frederick the Great,
Machiavelli and Mirabeau.
Careful readers may note a difference between these literary and historical
essays. Those on Bunyan, Johnson and Goldsmith, for example (written
originally for the _Encyclopaedia Britannica_), are more finished and
more careful of statement than others in which the author talks freely,
sharing without measure or restraint "the heaped-up treasures of his
memory."
[Sidenote: HISTORY OF ENGLAND]
Macaulay began to write his _History of England_ with the declaration
that he would cover the century and a half following the accession of James
II (1685), and that he would make his story as interesting as any novel.
Only the latter promise was fulfilled. His five volumes, the labor of more
than a decade, cover only sixteen years of English history; but these are
pictured with such minuteness and such splendor that we can hardly imagine
anyone brave enough to attempt to finish the record in a single lifetime.
Of this masterpiece of Macaulay we may confidently say three things: that
for many years it was the most popular historical work in our language;
that by its brilliant style and absorbing interest it deserved its
popularity, as literature if not as history; and that, though it contains
its share of error and more than its share of Whig partisanship, it has
probably as few serious faults as any other history which attempts to cover
the immense field of the political, social and intellectual life of a
nation. Read, for example, one of the introductory chapters (the third is
excellent) which draws such a picture of England in the days of the Stuarts
as no other historian has ever attempted. When you have finished that
chapter, with its wealth of picturesque detail, you may be content to read
Macaulay simply for the pleasure he gives you, and go to some other
historian for accurate information.
* * * * *
THOMAS CARLYLE (1795-1881)
There is little harmony of opinion concerning Carlyle, criticism of the man
being divided between praise and disparagement. If you are to read only one
of his works, it is perhaps advisable to avoid all biographies at first and
to let the _Essay on Burns_ or _Heroes and Hero Worship_ make its
own impression. But if you intend to read more widely, some knowledge of
Carlyle's personal history is essential in order to furnish the grain of
salt with which most of his opinions must be taken.
Public-domain text, read in full here on John Shaqi.
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