Even as we read this apology our eyes rest contentedly upon a beautiful old piece of Colonial furniture, fashioned most artistically by the very men who are pitied for their want of art. We remember also that the Puritans furnished only one of several strong elements in early American life, and that wherever the Puritan influence was strongest there books and literary culture did most abound: their private libraries, for example, make our own appear rather small and trashy by comparison. [Footnote: When Plymouth consisted of a score of cabins and a meetinghouse it had at least two excellent libraries. Bradford had over three hundred books, and Brewster four hundred, consisting of works of poetry, philosophy, science, devotion, and miscellanies covering the entire field of human knowledge. In view of the scarcity of books in 1620, one of these collections, which were common in all the New England settlements, was equivalent to a modern library of thirty or forty thousand volumes.] Cotton Mather, disciplined in the strictest of Puritan homes, wrote his poems in Greek, conducted a large foreign correspondence in Latin, read enormously, published four hundred works, and in thousands of citations proved himself intimate with the world's books of poetry and history, science and religion. That the leaders of the colonies, south and north, were masters of an excellent prose style is evident from their own records; that their style was influenced by their familiarity with the best literature appears in many ways,--in the immense collection of books in Byrd's mansion in Virginia, for instance, or in the abundant quotations that are found in nearly all Colonial writings. Before entering college (and there was never another land with so few people and so many colleges as Colonial America) boys of fourteen passed a classical examination which few graduates would now care to face; and the men of our early legislatures produced state papers which for force of reasoning and lucidity of expression have never been surpassed. [Sidenote: THE QUESTION OF ART] Again, our whole conception of American art may be modified by these considerations: that it requires more genius to build a free state than to make a sonnet, and the Colonists were mighty state-builders; that a ship is a beautiful object, and American ships with their graceful lines and towering clouds of canvas were once famous the world over; that architecture is a noble art, and Colonial architecture still charms us by its beauty and utility after three hundred years of experimental building. "Art" is a great word, and we use it too narrowly when we apply it to an ode of Shelley or a mutilated statue of Praxiteles, but are silent before a Colonial church or a free commonwealth or the Constitution of the United States. [Illustration: ENTRANCE TO "WESTOVER," HOME OF WILLIAM BYRD]