Other books of _The Faery Queen_ are so similar in character to the one just described that a canto from any one of them may be placed without change in any other. In the first book, for example, the Redcross Knight (Holiness) fares forth accompanied by the Lady Una (Religion). Straightway they meet the enchanter Archimago, who separates them by fraud and magic. The Redcross Knight, led to believe that his Una is false, comes, after many adventures, to Queen Lucifera in the House of Pride; meanwhile Una wanders alone amidst perils, and by her beauty subdues the lion and the satyrs of the wood. The rest of the book recounts their adventures with paynims, giants and monsters, with Error, Avarice, Falsehood and other allegorical figures. It is impossible to outline such a poem, for the simple reason that it has no outlines. It is a phantasmagoria of beautiful and grotesque shapes, of romance, morality and magic. Reading it is like watching cloud masses, aloft and remote, in which the imagination pictures men, monsters, landscapes, which change as we view them without cause or consequence. Though _The Faery Queen_ is overfilled with adventure, it has no action, as we ordinarily understand the term. Its continual motion is without force or direction, like the vague motions of a dream. [Sidenote: PLAN OF THE FAERY QUEEN] What, then, was Spenser's object in writing _The Faery Queen_? His professed object was to use poetry in the service of morality by portraying the political and religious affairs of England as emblematic of a worldwide conflict between good and evil. According to his philosophy (which, he tells us, he borrowed from Aristotle) there were twelve chief virtues, and he planned twelve books to celebrate them. [Footnote: Only six of these books are extant, treating of the Redcross Knight or Holiness, Sir Guyon or Temperance, Britomartis or Chastity, Cambel and Triamond or Friendship, Sir Artegall or Justice, and Sir Calidore or Courtesy. The rest of the allegory, if written, may have been destroyed in the fire of Kilcolman.] In each book a knight or a lady representing a single virtue goes forth into the world to conquer evil. In all the books Arthur, or Magnificence (the sum of all virtue), is apt to appear in any crisis; Lady Una represents religion; Archimago is another name for heresy, and Duessa for falsehood; and in order to give point to Spenser's allegory the courtiers and statesmen of the age are all flattered as glorious virtues or condemned as ugly vices. [Sidenote: THE ALLEGORY]