Outlines of Zuñi Creation Myths: Thirteenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1891-1892, Government Printing Office, Washington, 1896, pages 321-448Cushing, Frank Hamilton
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Outlines of Zuñi Creation Myths: Thirteenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1891-1892, Government Printing Office, Washington, 1896, pages 321-448
Cushing, Frank Hamilton
Zuni mythology
Then silently the Priests of the Bow returned as they had come, and
entering the dance-court and bower, bowed low and breathed over
the hands of the fathers and by them being breathed and smoked in
turn, told of what they had seen and listened to in the Cave of the
Rainbow. But the watchers had grown weary, and only the fathers heard
and understood. While the people nodded their heads all drowsily,
some sleeping, the leaders arose as their father ancients had arisen
on that night of the birth of Corn in the olden time, and carried the
sacred gourds aside and placed them around a great world-bowl wherein
was water, and over them in secret (as in the olden time those
fathers-ancients had done with the prayer-wands and grass seeds, so
now) they performed rites, and said mystic prayer-words. And in the
bowl they put dew of honey and sacred honey-dust of corn-pollen, and
the ancient stones--ancient of water whence water increases. Then, to
the left and northward side they placed the bowl and with it a great
drum jar, and spread blankets as for singers other than those already
sitting on the southern side.
After that they sat them down again, and then the Priests of the Bow
signed their guardian younger brothers to bestir the people assembled
that they might sit the more seemly for the coming, mayhap, of precious
strangers.
THE COMING OF PAÍYATUMA AND HIS DANCE OF THE FLUTE.
Ere long, the sound of music was heard, coming from up the river,
and soon came Paíyatuma followed by his Flute people and singers and
maidens of the Flute dance. Uprose the fathers and all the watching
people, greeting the God of Dawn with outstretched hands and offerings
of prayer-meal, and words of thanks and welcome. Then the singers took
their places and sounded their drum, flutes, and song of clear waters,
while the Maidens of the Dew danced their custom of the Flute dance.
Greatly marveled the people when from the wands they bore forth came
white clouds, and fine cool mists descended.
THE SACRILEGE OF THE YOUTHS OF THE DANCE, AND THE FLEETING OF THE
MAIDENS OF CORN.
Now when the dance was ended and the Dew maidens, with Paíyatuma, had
retired within the bower, forth came the beautiful and ever young
Mothers of Corn. And when the players of the flutes saw them, they
were enamored of their beauty, and gazed upon them so intently that
fain were the maidens to let fall their hair and cast down their eyes.
Yet the youths grew not less bold of eye. Then, yea and with jealousy
now, bolder grew the youths mortal, who led the dance and attended the
dancers, and lo! as the morning neared and the dancers of the flute
came forth again, these, impassioned and in rivalry, sought all too
freely the presence of the Mother-maidens, no longer holding them so
precious as in olden time, but e'en plucking at their white garments.
Public-domain text, read in full here on John Shaqi.
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