Outlines of Zuñi Creation Myths: Thirteenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1891-1892, Government Printing Office, Washington, 1896, pages 321-448Cushing, Frank Hamilton
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Outlines of Zuñi Creation Myths: Thirteenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1891-1892, Government Printing Office, Washington, 1896, pages 321-448
Cushing, Frank Hamilton
Zuni mythology
And as they embraced the first plant, the fire flamed brightly, with
the first catching and flush of the wood, and yellow was its light;
and as they embraced the second plant, the flames were burning smokily
with the fuller grasping of the wood, and blue was the light; and as
they were embracing the third plant, the fire reached its fullness
of mastery over the wood, and red was its light; and as they were
embracing the fourth plant, the fire was fumeless and triumphant over
the wood, and white was its light; and as they were embracing the fifth
plant, the fire gave up its breath in clouds of sparks, and streaked,
of many colors, was its light; and as they were embracing the sixth
plant, the fire swooned and slept, giving more heat, as 'twere, than
light, thus somber was the light, yet, as they were embracing the
seventh plant, it wakened afresh, did the fire, in the wind of the
morning, and glowed as does the late fire of the wanderer, with a light
of _all_ the colors.
Now, when the day dawned, lo! where the mid-persons of the youth and
the maidens had touched most unitedly and warmly the plants, new parts
appeared to the beholders, showing, through their coverings, many
colors, soft hair shrouding them, as if to make precious their beauty.
Whilst the people still gazed at these, wondering, out from the
Eastland came Paíyatuma and Ténatsali of the All-colored flowers (God
of the Seasons), followed by Kwélele with his flame-potent fire-wand.
Paíyatuma touched the plants with the refreshing breath of his flute;
Ténatsali with the flesh-renewing breath of his flowers; Kwélele, with
the ripening breath of his torch, whereby the new parts were hardened,
some to fruitfulness; others, being too closely touched, burned to the
very heat of generative warmth, unfruitful in itself, but fruitful
making! Then, as Paíyatuma waved his flute, lo! following Ténatsali,
the maidens and the attendant Kwélele went forth and disappeared in the
mist of the morning. As they vanished, Paíyatuma turned to where, full
in the light of the rising sun, stood the seven plants. Lithe and tall
stood he there beside them like a far journeyer, and said to the awed
watchers:
Public-domain text, read in full here on John Shaqi.
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