"For heaven sake's, Betty," Billy cried, "I don't like your style of
conversation. I'm in a state of gloom myself, to-night."
"I didn't say I was in a state of gloom," Betty said. They rode the
rest of the way in silence, but when Dick got out of the cab to open
her door for her, she whispered to him, "I'm awfully ashamed, Dick,"
before she fled up-stairs through the darkened hallway of her own
home.
"Queer little thing,--Betty," Billy said as Dick stepped back to the
cab again, "you never know where you have her. Full of the deuce as
she can stick. Unscrupulous little rascal, too, but made of good
stuff."
"Don't you think so?" Billy inquired presently as Dick did not
answer.
"Think what?"
"That Betty's a queer sort of girl."
Dick took his pipe out of his pocket and began stuffing it full of
tobacco. When this was satisfactorily accomplished, he struck a match
on his boot heel, and lit the mixture, drawing at it critically
meanwhile.
"Damn' queer," he admitted, between puffs.
CHAPTER XV
CLOUDS OF GLORY
Nancy, trailing clouds of glory, took up the management of her Inn
with renewed vigor. She had found her touchstone. The flower of love,
which she had scarcely understood to be indigenous to the soil of her
own practical little garden, had suddenly lifted up its head there in
fragrant, radiant bloom. She was so happy that she was impatient of
all the inadequate, inefficient manipulation of affairs in the whole
world. She felt strong and wise to put everything right in a neglected
universe.
She loved. She was satisfied to live in that love for the present,
with no imagination of the future except as her lover should construct
it for her; and in him she had absolute faith. The things that he had
said or left unsaid had no significance to her. Before she had dreamed
of a personal relation with him he had singled her out as a creature
made for the consummation and fulfilment of the greatest passion of
all. The merest suspicion that there had been a man in the world who
could have frustrated this beautiful potentiality in her had moved him
profoundly. There was nothing in her experience to help her to
differentiate between the sensibility of the artistic temperament and
the manifestations of the more reliable emotions. The presence in the
human breast of a fire that gave out light and not heat was a
condition undreamed of in her philosophy. To doubt Collier Pratt's
love for her in the face of his tacit pursuit of her, and the
acceptance of the obligation she had chosen to put him under, would
have seemed to her the rankest kind of heresy.
Public-domain text, read in full here on John Shaqi.
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