Over Paradise Ridge: A RomanceDaviess, Maria Thompson
General
Over Paradise Ridge: A Romance
Daviess, Maria Thompson
Harpeth Valley (Tenn.) -- Fiction; Love stories; Triangles (Interpersonal relations) -- Fiction; Young women -- Fiction
"Betty, since the first three rehearsals I am not allowed even in the
theater, and Farrington is a brute. I do not know what he is doing to my
play, but I do know that he was at work on a horrible laugh in the first
part of the first act that I did not intend at all. The leading woman
is coarse, with no soul, and the star is a great hulking ass. I am wild
and nobody sympathizes with me. Father has talked to Farrington, and
that is why he wired to you. Oh, I know he wired or you wouldn't have
come up to this inferno at this time of the year. That is one kindness
he did me--it _is_ a comfort to me--oh, Betty." And Peter put his head
down on my arm that was next him and sobbed, as the Byrd does when
anything happens to one of his "little ones."
I didn't blame Peter at all, for that play was his "little one" and his
first. I just took it out in hating and vilifying Farrington, until I
got Peter much comforted, even interested in hearing about the splendid
price Sam had got for the north-field rye. Then it was time for us to go
to bed, and I suppose it was best that it was too late for Mabel to come
into my room to tell me her version of Peter's troubles. For that one
night I sympathized fully with him. The next morning I was shown another
side of the question. And I felt decidedly different about Mr.
Farrington when he talked to me for a little while, alone before dinner
the next day, and after Judge Vandyne had also had me in solitary
conversation.
"You see, my dear young lady," said Mr. Farrington, with that twin-star
smile in his eyes I have mentioned, "the very wonderful nature that
grows and flowers such an exquisite young first play as this of our
young friend's, is the undoing of the work and the producer, unless he
is a heartless old brute like the one to whom you are at present
talking."
"Oh, I don't think you are that now, not at all. I--I think you are
wonderful, and I trust you with the play even though you haven't told me
anything about what you are doing to it," I exclaimed in great
confidence and enthusiasm.
"You are a wonderful bit lass yourself, and I trust you with my poet,
even if you haven't told me just what you are going to do with him," he
answered, and looked at me with the real affection, tempered with
amusement, that daddy and Judge Vandyne and Dr. Chubb all use toward me.
I blushed and was just going to tell him that--well, I don't know just
what I was going to tell him, but I am sure I'd have opened my innermost
heart to him, for that is what he invites, when in came Peter and the
rest, and we all went in to dinner. I didn't see the great dean of the
American stage alone any more, but he whispered to me just as Mabel and
Miss Greenough and I were leaving the room:
"Keep my poet easy, and you'll see what you see."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account