American fiction -- 20th century; Short stories, American
"Learn. Your natural mastery over her renders you the one above all
others to treat her successfully. Let her stare at the knife again--or
any bright object. Lead back into her past, and try to find what was
on her mind when she first walked in her sleep; then tell her that her
fears or anxiety were groundless, and that she must never get up in her
sleep again."
He gave Beverton as much of practical instruction as was safe for a
novice to possess, and with some misgivings the half-credulous young
husband resolved to experiment alone. But in his first attempt to do
so, he found unexpected developments in the situation that seemed to
remove the solution farther yet from his powers.
Not daring to take her into his confidence, he waited, evening after
evening, for her to place herself under favoring conditions--to take
up the wearying tale of the sea, and to rest her eyes and brain by
staring at the glistening array of steel on the wall. She capriciously
and vivaciously declared that she would have nothing more to do with
either, that she would divert her mind by polishing up her neglected
accomplishment of stenography (from practice of which he had rescued
her by marriage), and while he fidgeted and made occasional more or
less adroit references to the story, which he pretended to admire, she
translated into hieroglyphics the random thoughts of her brain.
"For if I make a widow of myself some night," she said, "and an angel
of you, Tommie, and escape execution, I will need to earn my living,
don't you see? But if you like that horrid story, suppose you read to
me from where I left off, and I'll take it down for practice."
He had committed himself, and was bound to the task. He began at the
top of the page and read, but she mercifully stopped him part way to
the bottom, so that she might transcribe her notes and verify. This
measured her interest in the story, and as he had none himself he
gladly ceased, and she began her transcription. While waiting for her
he glanced at the ornament on the wall. It was bright, pleasing to the
eye--artistic in finish and design. It attracted his gaze, and having
secured it, held it; for the longer he looked the less inclined he felt
to look elsewhere, and at last, with the knife filling his vision to
the exclusion of the fork and steel, his eyelids drooped and his senses
left him.
When he wakened he was on his knees, with hands clasped in supplication
before his wife, who, with tears in her eyes, but with laughter
quivering on her lips--in fact, nearly hysterical, had arisen from her
chair with her pencil and notebook.
"Why, Tom," she said, "what is the matter with you? You were not
yourself; it was so absurd and ridiculous. Did you go to sleep, and do
you talk in your sleep, as I walk in mine?"
"No," he answered, rising and blinking sheepishly. "Did I? Yes, perhaps
I did doze off--in the chair. Did I get up?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account