American fiction -- 20th century; Short stories, American
"Then it isn't the book, Grace, that affects us; it must be the knife.
It is merely a bright object which, if looked at steadily, will put a
person into a hypnotic sleep. At least, that is what I have heard."
"And then we talk," she said. "But why should you talk like a virtuous
maiden and I like a bad man?"
"I don't know," he said. "I know very little of hypnotism."
"Thomas Beverton," she said, with mock severity, "did you ever listen
to a prayer from a helpless female in your power?"
"No," he answered, laughing. "No, I swear it. I've always done the
praying myself."
"I suppose so," she rejoined, with a pout. Then, rising, she added: "If
you are going to talk in your sleep, I'm going to listen, and I'll know
all about your love affairs, remember that."
And with this truly feminine disposition of the question, she went to
bed.
Beverton secured a broom from the kitchen and, reaching up, unhooked
the carving-set and examined each piece carefully. The fork was a
fork, the steel a steel, the knife a knife--simple in design and
workmanship--such as could be found in any hardware store; but
the knife possessed one slight peculiarity that his questioning
eye noticed. Though it was ground in the conventional bowie-knife
shape, yet the blade as a whole had more curve than is usual in
carving-knives, while the long concave in the back of the blade,
near the point, was very short and deep. A further exaggeration of
these peculiarities would have given the blade the look of a Moorish
scimitar; but, even so, would have carried no occult significance to
Beverton's mind, and as it certainly did possess an unpleasant and
material connection with the problem before him, he decided to remove
it. Putting on his hat and overcoat, he took the three pieces out to
the back yard and hurled them, one by one, over the fence into a deep
snow-drift. Then he returned and, as was his custom, read until sleepy.
It was two hours later before the desired condition arrived, and laying
down his book, he discovered that he had not bolted his untrusty wife
in her room. He arose and looked in, only to see that her bed was
empty. He called, but she did not answer, and, thoroughly awake now,
he ran through the rooms of the house, but did not find her. As he
reached the dining-room, however, to don his hat and coat, he saw her
enter from the kitchen. She was in her nightdress, which was wet with
clinging snow; in her eyes was the lightless stare of somnambulism, and
in her hand the knife. In spite of his temperament, Beverton shivered
as he watched her expressionless stare, then remembering his friend's
instructions, pulled himself together, and said:
"Drop that knife. Drop it at once."
The knife clattered on the floor; he advanced, picked it up, and placed
it on the sideboard. Then he faced her, calm and determined, resolved
to solve the problem.
Public-domain text, read in full here on John Shaqi.
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