If to be the pioneer in the introduction of Old World titles into republican America can confer a claim to be remembered by posterity, Lord Timothy Dexter has a right to historic immortality. If the true American spirit shows itself most clearly in boundless self-assertion, Timothy Dexter is the great original American egotist. If to throw off the shackles of Old World pedantry, and defy the paltry rules and examples of grammarians and rhetoricians, is the special province and the chartered privilege of the American writer, Timothy Dexter is the founder of a new school, which tramples under foot the conventionalities that hampered and subjugated the faculties of the poets, the dramatists, the historians, essayists, story-tellers, orators, of the worn-out races which have preceded the great American people. The material traces of the first American nobleman's existence have nearly disappeared. The house is still standing, but the statues, the minarets, the arches, and the memory of the great Lord Timothy Dexter live chiefly in tradition, and in the work which he bequeathed to posterity, and of which I shall say a few words. It is unquestionably a thoroughly original production, and I fear that some readers may think I am trifling with them when I am quoting it literally. I am going to make a strong claim for Lord Timothy as against other candidates for a certain elevated position. Thomas Jefferson is commonly recognized as the first to proclaim before the world the political independence of America. It is not so generally agreed upon as to who was the first to announce the literary emancipation of our country. One of Mr. Emerson's biographers has claimed that his Phi Beta Kappa Oration was our Declaration of Literary Independence. But Mr. Emerson did not cut himself loose from all the traditions of Old World scholarship. He spelled his words correctly, he constructed his sentences grammatically. He adhered to the slavish rules of propriety, and observed the reticences which a traditional delicacy has considered inviolable in decent society, European and Oriental alike. When he wrote poetry, he commonly selected subjects which seemed adapted to poetical treatment,--apparently thinking that all things were not equally calculated to inspire the true poet's genius. Once, indeed, he ventured to refer to “the meal in the firkin, the milk in the pan,” but he chiefly restricted himself to subjects such as a fastidious conventionalism would approve as having a certain fitness for poetical treatment. He was not always so careful as he might have been in the rhythm and rhyme of his verse, but in the main he recognized the old established laws which have been accepted as regulating both. In short, with all his originality, he worked in Old World harness, and cannot be considered as the creator of a truly American, self-governed, self-centred, absolutely independent style of thinking and writing, knowing no law but its own sovereign will and pleasure.