How great the soul is! Do not you all wonder and admire to see and behold and hear? Can you all believe half the truth, and admire to hear the wonders how great the soul is--only behold--past finding out! Only see how large the soul is! that if a man is drowned in the sea what a great bubble comes up out of the top of the water... The bubble is the soul. I confess that I am not in sympathy with some of the movements that accompany the manifestations of American social and literary independence. I do not like the assumption of titles of Lords and Knights by plain citizens of a country which prides itself on recognizing simple manhood and womanhood as sufficiently entitled to respect without these unnecessary additions. I do not like any better the familiar, and as it seems to me rude, way of speaking of our fellow-citizens who are entitled to the common courtesies of civilized society. I never thought it dignified or even proper for a President of the United States to call himself, or to be called by others, “Frank” Pierce. In the first place I had to look in a biographical dictionary to find out whether his baptismal name was Franklin, or Francis, or simply Frank, for I think children are sometimes christened with this abbreviated name. But it is too much in the style of Cowper's unpleasant acquaintance: “The man who hails you Tom or Jack, And proves by thumping on your back How he esteems your merit.” I should not like to hear our past chief magistrates spoken of as Jack Adams or Jim Madison, and it would have been only as a political partisan that I should have reconciled myself to “Tom” Jefferson. So, in spite of “Ben” Jonson, “Tom” Moore, and “Jack” Sheppard, I prefer to speak of a fellow-citizen already venerable by his years, entitled to respect by useful services to his country, and recognized by many as the prophet of a new poetical dispensation, with the customary title of adults rather than by the free and easy school-boy abbreviation with which he introduced himself many years ago to the public. As for his rhapsodies, Number Seven, our “cracked Teacup,” says they sound to him like “fugues played on a big organ which has been struck by lightning.” So far as concerns literary independence, if we understand by that term the getting rid of our subjection to British criticism, such as it was in the days when the question was asked, “Who reads an American book?” we may consider it pretty well established. If it means dispensing with punctuation, coining words at will, self-revelation unrestrained by a sense of what is decorous, declamations in which everything is glorified without being idealized, “poetry” in which the reader must make the rhythms which the poet has not made for him, then I think we had better continue literary colonists. I shrink from a lawless independence to which all the virile energy and trampling audacity of Mr. Whitman fail to reconcile me. But there is room for everybody and everything in our