“I was thinking,” Number Seven replied, “of what you said the other day
of poetry being only the ashes of emotion. I believe that some people
are disposed to dispute the proposition. I have been putting your
doctrine to the test. In doing it I made some rhymes,--the first and
only ones I ever made. I will suppose a case of very exciting emotion,
and see whether it would probably take the form of poetry or prose. You
are suddenly informed that your house is on fire, and have to scramble
out of it, without stopping to tie your neck-cloth neatly or to put
a flower in your buttonhole. Do you think a poet turning out in his
night-dress, and looking on while the flames were swallowing his home
and all its contents, would express himself in this style?
“My house is on fire!
Bring me my lyre!
Like the flames that rise heavenward my song shall aspire!
“He would n't do any such thing, and you know he wouldn't. He would yell
Fire! Fire! with all his might. Not much rhyming for him just yet! Wait
until the fire is put out, and he has had time to look at the charred
timbers and the ashes of his home, and in the course of a week he may
possibly spin a few rhymes about it. Or suppose he was making an
offer of his hand and heart, do you think he would declaim a versified
proposal to his Amanda, or perhaps write an impromptu on the back of his
hat while he knelt before her?
“My beloved, to you
I will always be true.
Oh, pray make me happy, my love, do! do! do!
“What would Amanda think of a suitor who courted her with a rhyming
dictionary in his pocket to help him make love?”
You are right, said I,--there's nothing in the world like rhymes to cool
off a man's passion. You look at a blacksmith working on a bit of iron
or steel. Bright enough it looked while it was on the hearth, in the
midst of the sea-coal, the great bellows blowing away, and the rod or
the horse-shoe as red or as white as the burning coals. How it fizzes as
it goes into the trough of water, and how suddenly all the glow is
gone! It looks black and cold enough now. Just so with your passionate
incandescence. It is all well while it burns and scintillates in your
emotional centres, without articulate and connected expression; but the
minute you plunge it into the rhyme-trough it cools down, and becomes as
dead and dull as the cold horse-shoe. It is true that if you lay it cold
on the anvil and hammer away on it for a while it warms up somewhat.
Just so with the rhyming fellow,--he pounds away on his verses and
they warm up a little. But don't let him think that this afterglow
of composition is the same thing as the original passion. That found
expression in a few oh, oh's, eheu's, helas, helas's, and when the
passion had burned itself out you got the rhymed verses, which, as I
have said, are its ashes.
Public-domain text, read in full here on John Shaqi.
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