"Over There" with the AustraliansKnyvett, R. Hugh (Reginald Hugh)
History
"Over There" with the Australians
Knyvett, R. Hugh (Reginald Hugh)
World War, 1914-1918 -- Personal narratives, English
I was carried on board a British hospital-ship and lowered about three
decks down. As placards glared in one's eyes on every side about what
to do in case of submarine attack, I did not like very much the idea of
going down so far, for I always like to be able to depend upon myself
in an emergency, and I was now as helpless as a log. They put me in a
swinging cot, which was a great idea to prevent seasickness. We went
slowly out the harbor to sea with our prow pointing toward "Blighty,"
the El Dorado of the wounded Tommy. 'Twas little I saw of river,
harbor, or sea from my berth in the nethermost depths of that vessel's
hold. I was told we went across with all lights out. The days had
passed when, in our folly, we painted our hospital-ships white with a
green band and marked them with a red cross, or at night circled them
with a row of green lights illuminating a huge red cross near the
funnel, for we had found that we were only making them conspicuous as
targets for the "human shark of the sea." There have been more
hospital-ships sunk than troop-ships, for the troop-ship is armed and
convoyed, but the hospital-ship is an easy victim. The English port we
entered was shrouded in fog, and wharf buildings never at any time look
inviting, but we could nevertheless understand the excitement of our
English companions, for it was Home to them, and to us "dear old
England," the brave heart of the freest empire this earth has seen, and
after all where is the Britisher who does not thrill with pride at
landing on the soil of those little islands which have produced a race
so great, and foot for foot of soil there is no land on the earth that
has produced so much wealth. We could smile with appreciation and not
much surprise at the Tommy who remarked; "Say, Bill, don't the
gas-works smell lovely!"
CHAPTER XXVIII
IN LONDON
Public-domain text, read in full here on John Shaqi.
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