American essays; Short stories, American; Western stories
There is something singular about these Mexican towns or cities. You
hear them spoken of as important places, where the law-givers and the
dignitaries of the American _régime_ reside, and where renowned families
of the Spanish period had their homes; where large commercial interests
lie, and where things flourish generally. When you approach them, a
collection of what seem only mud hovels lie scattered before you. You
look for order and regularity of streets, and you find yourself running
up against square mud-piles at every other step; you look for doors and
windows in these structures, and find a narrow opening, reaching to the
ground, on one side, and high up in the wall a little square hole
without glass or shutter. This is the first impression. But you are
compelled to remain at such a place; and as the eye grows to shrink less
from the sight of the hard clay and cheerless sand, you discover the
tips of the pomegranate tree peering curiously over the high mud wall
enclosing a neat _adobe_ with well-cultivated garden. In astonishment
you press your face to the railing of the rude gate, and directly the
soft voice of a dark-faced woman calls to you from within: "Enter,
_señora_; you are welcome!"
When you leave the garden, where peaches, grapes, and pomegranates have
been showered on you, together with assurances of the kindest feelings
on the part of your hostess, the whole place somehow looks different.
There are streets and lanes which you did not notice before, where the
broad, double doors of the houses stand hospitably open, and the large
square windows, if not provided with sash and glass, are latticed in
fanciful designs, as we see them in old Spanish and Italian paintings.
And there is such a dreamy languor in the air; such a soft tint in the
blue of the heavens; such a wooing, balmy breeze, that seems to float
down from the mountain yonder. There is no necessity for keeping one's
eyes fixed on the sand-hill that hid Albuquerque from us at first. Look
over again to the mountain. Could artist with brush and pencil create
anything more perfect than the gentle rise away off there, over which
houses and vineyards are scattered, and which climbs up steeper and
higher, till the faintest shadow of a passing cloud seems resting on the
blue-green peak? And winding its way slowly from the foot of the
mountain, comes a train of black-eyed, barefooted Pueblo Indian women,
bearing on their heads home-made baskets filled to overflowing with
well-displayed fruit--melons, peaches, grapes--in such perfection, and
with such rich, ripe coloring, as are seldom found away from Mexico.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account