Overtones, a book of temperaments : $b Richard Strauss, Parsifal, Verdi, Balzac, Flaubert, Nietzsche, and TurgénieffHuneker, James
Philosophy
Overtones, a book of temperaments : $b Richard Strauss, Parsifal, Verdi, Balzac, Flaubert, Nietzsche, and Turgénieff
Huneker, James
Music
The woman question—is it not one to be shunned? I mean the question,
not the theme itself, though one may recommend Laura Marholm’s
volumes. Frau Marholm is a Scandinavian, and Northern women must
have been bound with iron social gyves, to judge by the quality of
their protestant literature. Ibsen, Björnson, even Strindberg—whose
erratic pendulum swings to the other extreme—are full of the heady
polemics of sex. Sex—why, one sickens of the subject after reading
problem plays and novels. To all American women between the ages
of eighteen and eighty I say study Laura Marholm’s Studies in the
Psychology of Woman. The dissatisfied ones, those who really believe
all they read, may perhaps realize how much better off is The Unquiet
Sex—this capital phrase is of Helen Watterson Moody’s coining—in
America. Little wonder that there is a woman movement in Europe. For
its psychology read Marholm. Best of all, here is a woman telling us
secrets, secrets not to be captured by men watchful of the Sphinx
that Defies. And it is a sad corrective for masculine presumption,
masculine vanity. _We_ are only tolerated. Some of us have known that
for years; here it is elevated to the dignity of a psychological
system. These long-haired, soft-eyed animals, as Guy de Maupassant
described them, are our true critics weighing us ever in scales that
are mortifyingly candid, excusing us if they love us, but after all
only _tolerating us_, allowing the lords of creation to kneel in
humble attitudes at the shrine and rewarded at the end by—toleration.
And if this is the case on the Continent, where the equality of
women is as yet a half-hatched idea, how is it in America, where she
is queen, queen from kitchen to palace? I think Mrs. Marholm herself
would be amazed, and mayhap after five years’ residence here would
write a book about the Wrongs of Man. Her Six Famous Women betrays
the writer’s keenness of vision, the Studies reveal breadth of idea
and judgments. She does not belong to the “Shrieking Sisterhood.” She
is a woman, a defender of home and family. I assure you I enjoyed
her book far better than Zola’s Fecondité—that most miraculously
dull and moral tract. Tolstoy is the remote parent of both books,
though Marholm has her own feminine point of attack. No man may hope
to understand women as does a woman. It was Zangwill, I think, who
said that all women writers are of value—do they not tell us the
secrets of their sex? This is hardly polite, but it is true. When
the “messages” of George Eliot and Charlotte Bronté have grown stale
from usage—all truths breed rust after a time—their unconscious
self-portraitures will preserve them from those giant moths, the
critics.
Public-domain text, read in full here on John Shaqi.
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