A HUNDRED pictures have been drawn of undergraduate life at Oxford, and a hundred caricatures. Novels innumerable introduce some Oxford scenes. An author generally writes his first romance soon after taking his degree; he writes about his own experience and his own memories; he mixes his ingredients at will and tints according to fancy. This is one of the two reasons why pictures of Oxford, from the undergraduate side, are generally false. They are either drawn by an aspirant who is his own hero, and who idealises himself and his friends, or they are designed by ladies who have read _Verdant Green_, and who, at some period, have paid a flying visit to Cambridge. An exhaustive knowledge of _Verdant Green_, and a hasty view of the Fitzwilliam Museum and ‘the backs of the Colleges’ (which are to Cambridge what the Docks are to Liverpool), do not afford sufficient materials for an accurate sketch of Oxford. The picture daubed by the emancipated undergraduate who dabbles in fiction is as unrecognisable. He makes himself and his friends too large, too noisy, too bibulous, too learned, too extravagant, too pugnacious. They seem to stride down the High, prodigious, disproportionate figures, like the kings of Egypt on the monuments, overshadowing the crowd of dons, tradesmen, bargees, and cricket-field or river-side cads. Often one dimly recognises the scenes, and the acquaintances of years ago, in University novels. The mildest of men suddenly pose as heroes of the Guy Livingstone type, fellows who ‘screw up’ timid dons, box with colossal watermen, and read all night with wet towels bound round their fevered brows. These sketches are all nonsense. Men who do these things do not write about them; and men who write about them never did them.