Oxford (England) -- Description and travel; University of Oxford
You shall be in one small sitting-room, on an evening, while in one
corner a ditty from the _Studentenlieder_ is hummed; in another, Hagen’s
_Carmina Medii Ævi_ or W. B. Yeats or Marlowe is declaimed; in another,
you shall hear ghosts or sports discussed; in a fourth, the orthodoxy of
the _Inferno_: yet the whole company shall be one in spirit. And the
same in another such room--where a dozen men are divided into groups
around three of the number who are reading, for discussion, the rules of
the Salvation Army, the _Anthologia Planudea_, and a Blue Book.
At the top of an adjacent staircase there is a lonely gentleman eating
strawberries and cream, and thinking about wall-paper; or one like a
gnome, amidst innumerable books,--his floor strewn with notes, phrases,
queries,--writing a prize essay; or one reading law, with his
newly-presented football cap on his head; one reading Kipling and
training a meerschaum; one alternately reading the _Organon_ of
Aristotle and quoting verbatim from Edgar Allen Poe to admiring workers
at the same text; or one digesting opium, and now and then looking for
five minutes at one or other of a huge pile of books at his side--Paul
Verlaine, Marlowe, Jeremy Taylor, the _Odyssey_, Ariosto, and Pater. The
staircases creak or clatter with the footsteps of men going up and down,
to and from these rooms. Outside one or two sets of rooms the great
outer door--the “oak”--is fastened, a signal that the owner wishes to be
undisturbed, and practically an invitation to trials of strength with
heel and shoulder from the passer-by. In the faintly lighted
quadrangles, men are hurrying, or sauntering, or resting on the grass
among the trees. Perhaps there is a light in the college hall. The sound
of a castanet dance played by a band--or a song--comes through the
window. The music grows wilder. The chorus swallows up the song. There
are half a dozen conductors beating time, among the crowded benches of
the audience. The small lights are but stains upon the air, which is
composed of cigar and cigarette smoke. Mirth is eloquently expressed in
every way, from laughter to a snore. The candles begin to fall from the
brackets; the seats are carried out; and, to a still wilder tune, two
hundred men join hands and dance. The band is given no rest: in fact,
they are unable to rest, and the same glow sits in their cheeks. But in
the darkness they slip away. For all the candles are out, and there is a
bonfire making red weals upon the grey walls; then another dance; and a
hundred times, “Auld lang syne,” until the college is quiet, and but
rarely a light is seen through curtains and over battlements: and the
long Oxford night begins. _Large reponens_, we build up the fire. If it
be autumn, we will hardly permit it ever to go out, thus consoling
ourselves for the transitory glow of the sun, and fantastically handing
on the sunsets of many summers and the dawns of many springs, in that
constant flame.
Public-domain text, read in full here on John Shaqi.
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