Oxford (England) -- Description and travel; University of Oxford
Why did I sell my College Life
(He cries) for Benefice and Wife?
Return, ye Days! when endless Pleasure
I found in Reading or in Leisure!
When calm around the Common Room
I puff’d my daily Pipe’s Perfume!
Rode for a stomach, and inspected,
At Annual Bottlings, corks selected:
And din’d untax’d, untroubled, under
The Portrait of our pious Founder!
It was a fine thing to sit day after day, in rooms sweetened, as in
Burton’s day, with juniper, or in the college library, which was as a
bay or river mouth leading into the very land of silence--to sit and
write, or not write, as you pleased; and, in the days when books were
no longer shelved with their faces to the wall, look up at
Bullarium
Cherubini
printed in gold upon the glowing calf, and making mystical combinations
as night came on. There, and in hall, chapel, study, and garden, men
doomed to very diverse fates and stations went and still go, and found
it possible to live a more enchanted life than anywhere else.
The refractory Headington stone crumbled, and while the classical
buildings became yearly less handsome than when the masons left them,
the Gothic gained by the rich inlay and delicate waste of weather and
time. As if time and weather wrote the chronicles of the society, the
walls came to have a singular influence upon each generation, and gave
them, as it were, a common ancestry and blood--noble blood, for all.
Even when they departed they had the irrefragable right of exiles to
look back and salute.
And yet how different the life within those walls which some now living
can remember! Sixty years ago, they lament, “no man was ever seen in the
streets of Oxford after lunch without being dressed as he would have
been in Pall Mall.” Charles Reade at Magdalen “created a panic even
among the junior members” by wearing a green coat and brass buttons, as
Dean of Arts. Sixty years before that, George Colman had matriculated in
a grass-green coat, “with the furiously bepowdered pate of an ultra
coxcomb.” And now, says the first-quoted authority, “shooting-jackets
of all patterns, in which it is not given to every man to look like a
gentleman,” have taken the place of frock-coat, tall hat, and gloves,
“in which every one looked well.” The change from knee-breeches to
trousers early last century was made possible by the gross lenience of a
proctor.
Public-domain text, read in full here on John Shaqi.
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