Several ineffectual attempts have been made at different times, since
this church was finished, to induce the vestry to grant funds for its
enlargement. But in July, 1848, when the church-rate was in full play,
the demand could no longer be resisted; and on the fourth of that month,
it was resolved by the vestry, unanimously, that the west gallery of St.
John’s be enlarged, but at a cost not to exceed £700. The enlargement
was effected, and, so far as my knowledge goes, this is the only
resolution of the vestry, respecting the expenditure of money for
church-purposes, that has ever been observed.
This church, however, even in its brief existence, has been some expense
to others, besides those who have been accommodated by it. Down to 1839,
the minister received the stipend appointed him by the Church
Commissioners; the surplus pew-rents being paid to the churchwardens
towards the expenses of the church. Since that date no pew-rents have
been paid to the churchwardens of the parish, but they have had to pay
out of the parish funds upwards of £4,800, including the sum
above-mentioned.
St. John’s is not a copy of any particular period of middle-age art,
being built in the style designated pseudo-gothic. But it is not
necessary to give any particular description of this building; for I saw
by a model of it, which was honoured with an excellent place amidst the
multitudinous and never to be forgotten beauties of the Great Exhibition,
that Mr. Fowler’s original design was not completely carried out. Its
exterior, as finished, presents to us nothing offensive; and the interior
is well proportioned, well arranged, and, with the exception of the
painted window at the eastern end, contains nothing incompatible with a
religious feeling.
Public-domain text, read in full here on John Shaqi.
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