can easily be understood that if the Hunt was not successful the blame might well be attributed to some neglect of the usual ritual mimes or movements--no laughing matter for the leader of the dance. (1) Book IV, ch. 6, Section 7. (2) See also Winwood Reade's Savage Africa, ch. xviii, in which he speaks of the "gorilla dance," before hunting gorillas, as a "religious festival." Or there were dances belonging to the ceremonies of Initiation--dances both by the initiators and the initiated. Jane E. Harrison in Themis (p. 24) says, "Instruction among savage peoples is always imparted in more or less mimetic dances. At initiation you learn certain dances which confer on you definite social status. When a man is too old to dance, he hands over his dance to another and a younger, and he then among some tribes ceases to exist socially.... The dances taught to boys at initiation are frequently if not always ARMED dances. These are not necessarily warlike. The accoutrement of spear and shield was in part decorative, in part a provision for making the necessary hubbub." (Here Miss Harrison reproduces a photograph of an Initiation dance among the Akikuyu of British East Africa.) The Initiation-dances blend insensibly and naturally with the Mystery and Religion dances, for indeed initiation was for the most part an instruction in the mysteries and social rites of the Tribe. They were the expression of things which would be hard even for us, and which for rude folk would be impossible, to put into definite words. Hence arose the expression--whose meaning has been much discussed by the learned--"to dance out ([gr ezorceisqai]) a mystery." (1) Lucian, in a much-quoted passage, (2) observes: "You cannot find a single ancient mystery in which there is not dancing ... and this much all men know, that most people say of the revealers of the mysteries that they 'dance them out.'" Andrew Lang, commenting on this passage, (3) continues: "Clement of Alexandria uses the same term when speaking of his own 'appalling revelations.' So closely connected are mysteries with dancing among savages that when Mr. Orpen asked Qing, the Bushman hunter, about some doctrines in which Qing was not initiated, he said: 'Only the initiated men of that dance know these things.' To 'dance' this or that means to be acquainted with this or that myth, which is represented in a dance or ballet d'action. So widely distributed is the practice that Acosta in an interesting passage mentions it as familiar to the people of Peru before and after the Spanish conquest." (And we may say that when the 'mysteries' are of a sexual nature it can easily be understood that to 'dance them out' is the only way of explaining them!) (1) Meaning apparently either simply to represent, or, sometimes to DIVULGE, a mystery. (2) [gr peri 'Orchsews], Ch. xv. 277. (3) Myth, Ritual and Religion, i, 272.