entirely on the powers above, and could hardly be expected to occur again. (1) Ch. II. (2) One of Celsus' accusations against the Christians was that their Gospels had been written "several times over" (see Origen, Contra Celsum, ii. 26, 27). However, the question is not what we desire, but what we can prove to be the actual fact. And certainly the difficulties in the way of regarding the Gospel story (or stories, for there is not one consistent story) as TRUE are enormous. If anyone will read, for instance, in the four Gospels, the events of the night preceding the crucifixion and reckon the time which they would necessarily have taken to enact--the Last Supper, the agony in the Garden, the betrayal by Judas, the haling before Caiaphas and the Sanhedrin, and then before Pilate in the Hall of judgment (though courts for the trial of malefactors do not GENERALLY sit in the middle of the night); then--in Luke--the interposed visit to Herod, and the RETURN to Pilate; Pilate's speeches and washing of hands before the crowd; then the scourging and the mocking and the arraying of Jesus in purple robe as a king; then the preparation of a Cross and the long and painful journey to Golgotha; and finally the Crucifixion at sunrise;--he will see--as has often been pointed out--that the whole story is physically impossible. As a record of actual events the story is impossible; but as a record or series of notes derived from the witnessing of a "mystery-play"--and such plays with VERY SIMILAR incidents were common enough in antiquity in connection with cults of a dying Savior, it very likely IS true (one can see the very dramatic character of the incidents: the washing of hands, the threefold denial by Peter, the purple robe and crown of thorns, and so forth); and as such it is now accepted by many well-qualified authorities. (1) (1) Dr. Frazer in The Golden Bough (vol. ix, "The Scapegoat," p. 400) speaks of the frequency in antiquity of a Mystery-play relating to a God-man who gives his life and blood for the people; and he puts forward tentatively and by no means dogmatically the following note:--"Such a drama, if we are right, was the original story of Esther and Mordecai, or (to give their older names) Ishtar and Marduk. It was played in Babylonia, and from Babylonia the returning Captives brought it to Judaea, where it was acted, rather as an historical than a mythical piece, by players who, having to die in grim earnest on a cross or gallows, were naturally drawn from the gaol rather than the green-room. A chain of causes, which because we cannot follow them might--in the loose language of common life--be called an accident, determined that the part of the dying god in this annual play should be thrust upon Jesus of Nazareth, whom the enemies he had made in high places by his outspoken strictures were resolved to put out of the way." See also vol. iv, "The Dying God," in the same book.