Christian antiquities -- Italy -- Rome; Rome (Italy) -- Antiquities
The Mausoleum of Augustus and its precious contents have not escaped
the spoliation and desecration which seem to be the rule both in past
and modern times. The building is used now as a circus. Its basement
is concealed by ignoble houses; the urn of Agrippina is kept in the
courtyard of the Palazzo dei Conservatori; three others have been
destroyed, and six belong to the Vatican Museum.
THE TOMB OF NERO. The defection of the last Roman legion was announced
to Nero while at dinner in the Golden House. On hearing the news, he
tore up the letters, upset the table, dashed upon the floor two
marvellous cups, called _Homeric_, because their chiselling
represented scenes from the Iliad; and having borrowed from Locusta a
phial of poison, went out to the Servilian gardens. He then despatched
a few faithful servants to Ostia with orders to keep a squadron of
swift vessels in readiness for his escape. After this he inquired of
the officers of the prætorian guards if they were willing to accompany
him in his flight; some found an excuse, others openly refused; one
had the courage to ask him: "Is death so hard?" Then various projects
began to agitate his mind; now he was ready to beg for mercy from
Galba, his successful opponent; now to ask help from the Parthian
refugees, and again to dress himself in mourning, and appear
barefooted and unshaven before the public by the rostra, and implore
pardon for his crimes; in case that should be refused, to ask
permission to exchange the imperial power for the governorship of
Egypt. He was ready to carry this project into execution, but his
courage failed at the last moment, as he knew that the exasperated
people would tear him to pieces before he could reach the Forum.
Towards evening he calmed his mind in the hope that there would be
time enough to make a decision if he waited until the next day. As
midnight approached he awoke, to find that the Prætorians detailed at
the gates of the Servilian gardens had retired to their barracks.
Servants were sent to rouse the friends sleeping in the villa, but
none of them returned. He went around the apartments, finding them
closed and deserted. On re-entering his own room he saw that his
private attendants had run away, carrying the bed-covers, and the
phial of poison. Then he seemed determined to put an end to his life
by throwing himself from one of the bridges; but again his courage
failed, and he begged to be shown a hiding-place. It was at this
supreme moment that Phaon the freedman offered him his suburban villa,
situated between the Via Salaria and the Via Nomentana, four miles
outside the Porta Collina. The proposal was accepted at once; and
barefooted, and dressed in a tunic, with a mantle of the commonest
material about his shoulders, he jumped on a horse and started for the
gate, accompanied by only four men,--Phaon, Epaphroditus, Sporus, and
another whose name is not given.
[Illustration: Head of Nero, in the Capitoline Museum.]
Public-domain text, read in full here on John Shaqi.
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