American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
Milt was punctual and the friends ate one; of Madame Felicé's excellent
luncheons in a receptive mood. The conversation ranged from food to
metaphysics. "Ah, Ulick"! cried Milt, who was unusually expansive,
"if you would only make up your mind as to your future." "But I
have," asserted Ulick. "I have. I mean to become a good American
citizen and write artistic books." "I doubt if you will ever become
one or accomplish the other," was the unexpected criticism of this
young theological student, who saw life steadily. "The foreign virus
is in your blood, Ulick. You are one-half Frenchman, the other half
cosmopolitan; both are fatal to true Americanism. You should have
remained in Paris----" "Another"! groaned Ulick-"and married some nice
girl, any nationality so she would be nice, raise a family and settle
down." "What a dear old philistine you are, Milt. Why don't you?" Milt
slightly coloured. "Because I've chosen the better part like Mary in
the gospel. The highest function permitted man is that of the priest.
Many are called, few chosen. I tremble before the responsibility of
my vocation. I can only pray in all humility that I shall not be an
unworthy servant of the Lord." Ulick suddenly changed the subject by
asking: "Milt, what is your first name? I've never heard you called
anything but Milt, except when Alfred calls you Mel." Milt solemnly
envisaged his questioner. "My first name is a secret. Alfred happens to
know because we were at college for years in the same classes. It is
a name sacred to me, my mother's idea, yet a name that I fear to use
because it excites mirth. "Good heavens! what an awful name it must be.
Melodeon or molasses"? "I said sacred, Ulick. Let's drop the question."
Milt was so grave that his companion shrugged in despair.
Public-domain text, read in full here on John Shaqi.
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