American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
"The crisis is passed, the doctor tells me. There remains the danger
of blood-poisoning. She is weaker than her precious doll. She was
delirious for a time and raved over her dream-children. She always
loved babies. Poor Mona, what a disappointment her's?" He rubbed his
eyes. Was he in a trance! Such people! Such a father and mother! Not
a reproach. He might have been the husband of Mona. Truly they were
more than Christian in their charity, in their comprehension; they were
angelic--there was no other word to describe them as they really were.
He asked if he might see Mona once more. She refused. "Come tonight
about nine o'clock. She will surely see you then. I'll tell her you
stayed near her all night. Go home, and do try to sleep. Don't worry.
Everything, please providence, will come out right." Tears fell as he
hurried through the morning streets.
Mona slept, though fitfully, her doll beside her. At intervals she
opened her eyes murmuring. "Frustrate, frustrate!" Her mother thought
that she was again raving....
III
The green and gold of summer modulated into a gorgeous autumnal
symphony of faint-coloured flowers; scarlet, yellow and russet browns.
October with its tonic and out-door joys was at hand. The tree-tops
beckoned to the white clouds, lazily floating aloft. Ulick longed for
the hills of New Hampshire, for the Franconian landscape with its
sweep of horizon. One black spot in his memory had not been effaced.
In review he saw the fanatics headed by the chief of the Holy Yowlers,
saw Roarin' Nell and Brother Rainbow, saw, Oh! memorable moment, for
the first time the glorious woman called Easter, Esther Brandès, now
Istar, the famous Isolde and Brunnhilde. Would he ever see her again?
Did he really long for her presence, or was it pure fancy, rather,
unmitigated curiosity? Over his tea and toast this morning he couldn't
reason the idea to a logical conclusion. He knew that he was fickle.
But, then, that was in the past. There was only one girl now--Dora
being a light-of-love--and that was Mona. She was adorable--Mona,
and her parents hardly less adorable. Since that tremendous night he
felt that his love for her had been tested as in a fiery furnace; and
through that fiery furnace had passed Mona, little the worse for the
experience; yet, as he admitted to himself, somehow changed. She was
subdued, her eyes unquiet, her vivacity of speech dampened. The wound
in her consciousness had left a deep scar. She could not forget. She
would never forget.
Public-domain text, read in full here on John Shaqi.
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