American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
The Great White Way, pleasure-ground of America, is the incandescent
oven of the metropolis. Under its fierce glare all felines appear
alike. But gray, never. Alfred, who had lived in Europe, noted that
the sad-colored procession that slowly moves around Piccadilly Circus,
the merry crush of the Friedrichstrasse, and the gayer swirl of the
Grand Boulevard, was not so cosmopolitan as Broadway's army. Every
nationality helps to swell the stream of petticoats. Lo! this is the
City of Dis, he thought, when he saw the maelstrom of faces pass him;
faces blanched by regret, sunned by crime, beaming with sin; faces
rusted by vain virtue, weary faces, and the triumphant regard of them
that are loved. The eyes, the eyes! The city had begun its nocturnal
carnival as he went down to the Opera House, and like all organized
orgies the spectacle was of a consuming melancholy. No need for him to
moralize; cause and effect spoke with an appalling clarity. If Matthew
Arnold had been there he would have called Gotham, not Lutetia, the
spot where is most worshipped the Great Goddess of Lubricity. Through
this volcano of noise, a sinister medley of farce and flame, the
Will-to-Enjoy wound like a river of red-hot lava. The day-birds are
gone to bed; night-fowl are afield. The owl is a denizen of the dark,
yet Minerva's wisdom is not to be found. Even the cats are bathed in
the blaze of publicity. Alfred reached the Metropolitan....
All operatic triumphs resemble each other; it is the failures that
differ. The début of Istar--how that exotic name did boldly stand out
on the bill-boards!--as like the début of the pre-elected. From the
rising of the curtain when she hurls her angry disdainful: "Wer wagt
mich zu hohnen?" her success was assured. In the first entr'acte Madame
Ash said to Alfred: "That settles it." He didn't quite agree with her.
He went to Easter's dressing-room. He was not admitted. It looked as if
she intended to burn behind her all her boats and bridges; but a few
words from Jean, always considerate to débutantes, confirmed Madame
Ash's judgment. At the dress-rehearsal Easter had been rotten. That,
averred Jean, was sure sign of success. And it was a brilliant success.
This audacious American girl came, sang, conquered. She actually
divided honors with Tristan. After the last curtain she received an
unmistakable personal call. It was for her alone and Jean graciously
left the field free. As cool as usual she made a little speech:
Public-domain text, read in full here on John Shaqi.
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