American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
"I've not seen them since the night they threw me out at Dora's." Milt
was curious. Ulick told the story; how Easter contrived to get into
Dora's apartment. She went boldly to the top floor, rang the bell of
Dora's neighbor, also a pretty lady, and told a fib. Could she be
permitted to go to Dora's room by way of the balcony? The little woman
paled at the proposition. Simple madness. There was only a narrow
ledge, a few inches wide, and balancing herself on the window-sill,
Easter would have to make a swift leap to the balcony and then she
would be compelled to pull herself over the stone balcony, and it was
broad. Otherwise, no coming back, she would drop to the sidewalk and be
smashed to a pulp if she turned her body. "By God!" exclaimed Ulick,
"she did it. Easter took the risks. She has muscles like steel. But
what agility, what fearlessness!" Milt agreed with him.
"God is preserving her for something wonderful." "The devil, you mean."
"God, I said. That woman--oh! how shamelessly she lives--interests me.
I should like to be the one to lead her to salvation."
"Take care, Milt! Pride goeth before a fall. Your pride is the most
dangerous brand--spiritual pride. Remember À Kempis: 'No man commandeth
safely but he that hath learned to obey.'"
"A beautiful thought; the devil knows good quotations. I'm glad you
remember your Imitation. Throw Petronius to the dogs. But I am talking
so much that you have forgotten Mona and our engagement."
"The only subjects that interest me are sex, art, and religion."
"Huysmans said that better, Ulick. I'll ring up Mona. She's a good
girl and will make you a good wife, and give me a brother I love very
much...."
Public-domain text, read in full here on John Shaqi.
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