American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
at the club the man confidentially whispered: "Some girl, that?"
Ulick wasn't annoyed. Why should he be? Dora belonged to the public.
She came from the people. Her daintiness was superficial. A pretty
vulgarian, her appeal was universal to males in rut. The wealthy Paul
and the humble mechanician both longed for her. So had Ulick, and
he would again. She was aware of her attractions and like the busy
little merchant she was she sold her wares to the highest bidder. But
a demure harlot in demeanor occasionally refined. Silver plate that
showed prosaic brass when she was angry or offguard; then her language
darkened the air; profanity, abuse, obscenity. The filthiest words in
the mud-lard vocabulary hurtled by the heads of her antagonist, whether
a sister-cocotte, a chauffeur, or a clubman. Ulick was yet to pass
through that verbal ordeal; but it would surely come to him as it did
to the rest. She drank too much, and that was her vice. Her profession
was in her estimation as honourable as any other. What's the difference
between me and the poor dirty wife with a dozen brats? A woman is
always kept by a man, wedding-ring or no. Don't I love babies? I dote
on them. Thus her philosophy and her preference. She adored children.
She loved all the nice young chaps who made her presents and helped
to pay her steadily mounting household expenses. If she could only
put aside a few dollars every week for the rainy day sure to come.
But she never could. The weekly bills were so numerous and so tame,
that they ate out of her hands, she would joke. And Paul Godard would
surely sleep under her roof this very night, said Ulick, as he wearily
undressed himself. I shan't worry much. Dora is a commodity. So is
Paul. So am I--for Dora. So is Mona. We are all chattels of chance.
XV
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