Madame Gosner moved through the door, as she uttered a threat which was
treason in itself, leading Marguerite by the hand. Monsieur Jacques
remained behind, though Christopher stood waiting for him to depart,
holding the door with his hand. He had set down the lantern in the
passage that those who went out might have more light.
All at once, Jacques took up the lantern, passed through the door, and
lifting Madame Gosner’s scarf from the dead man’s face, held down the
light and closely examined the features. A quick intelligence came to
his eyes. He glanced at Christopher, and saw that he watched these
proceedings uneasily.
“Monsieur forgets that his friends are standing in the dark,” said the
guard, impatiently.
“No,” answered Jacques; “monsieur forgets nothing.”
Saying this, he set down the lantern, drew a knife from his pocket, and
stooping down, cut a lock of hair from the dead man’s temple. All this
was done with his back to the guard, who sprang forward and snatched up
the light at the moment, and thus was unconscious of the act.
A moment after the two men passed into the passage, the dungeon-door
fell to with a crash, and Christopher turned his key in the ponderous
lock with a smothered exclamation of thankfulness.
In the upper corridor Madame Gosner turned and addressed a sentence to
the guard, who was walking fast as if anxious to escape from the gloom
of the place. She paused a moment while speaking, and stood close by the
oaken door which marked the position of some cell which her voice had
penetrated. From that cell came a cry so wild, so plaintive and
thrilling, that the whole group stopped awe-stricken.
“Move on,” said the guard. “It is only some prisoner who has heard our
voices. No wonder he cries out; few strangers are ever admitted here,
and conversation in these vaults is an unknown thing.”
Marguerite went close to her mother, who stood immovable, listening
keenly.
Again the noise commenced, and a tumult of words seemed forcing
themselves through the oaken door, against which some heavy weight flung
itself with a violence that made all the rusty iron holding it together
rattle in staples and sockets.
“Move on! Move on!” cried the guard, stamping his foot with vehement
impatience. “Move on, madame! The prison has laws, and you are in the
act of breaking them.”
Christopher, who carried the light, walked forward with rapid strides,
and the rest were forced to follow him.
When Madame Gosner came into the light of the guard-room her eyes
gleamed like stars, and the deadly pallor of her face was terrible to
look upon. It seemed as if she had been walking through burning
ploughshares, and was ready to go still further along the fiery path.
The disappointment, which would have taken away all strength from
another woman, had given to her almost superhuman power.
Public-domain text, read in full here on John Shaqi.
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