Pamela Pounce: A tale of tempestuous petticoatsCastle, Egerton
History
Pamela Pounce: A tale of tempestuous petticoats
Castle, Egerton
Great Britain -- History -- George III, 1760-1820 -- Fiction; London (England) -- Fiction; Romance fiction
“Rat me!” said the spokesman of the fashionable group, looking round
with what Pamela thought was a very offensive leer. “If my Lord
Harborough sets the example, who are we that we should refuse to follow
it? After you, my Lord Marquis.”
Pamela had often heard the name of the great Marquis, especially of
late, but she had never yet seen him. She now gazed at him with shrewd
eyes of disapproval.
“Ah, my Lord, you may have a fine taste in coaches and in the horses
to draw them, and a superlative delicate taste in play-actresses, but
to my mind ’tis mortal poor taste to be bringing those grey hairs
that are under your wig, and an honoured name, and all your privilege
to the undoing of one poor girl! You should keep that smile for your
grand-nephews--Mr. W.’s brats--you should indeed, my Lord!”
My Lord Harborough raised himself from a profound bow over the hand
which Felicity Falcon extended to him in a careless sort of way, more
as if she were dropping something out of it than yielding it to his
caress. The smile he gave her as he straightened himself was full of
ardent admiration. Although he failed to meet with her favour, Pamela
could not but admit that he had a very splendid presence, and that any
woman’s head, much less that of a young player on her promotion, might
well be turned by receiving attention from such a quarter.
My Lord Marquis now waved the company from the room with a politely
compelling gesture, as of a host who bids his guests pass before him;
kissed his hand to Miss Falcon, and himself departed.
“Now, my dear girl, my dear girl, the hat!” cried she, turning upon
Pamela.
And Pamela had the strange thought that Miss Falcon--even though she
had stepped off the boards--had not ceased acting for one single
moment, and that no emotion had been more cleverly counterfeited than
the playfulness with which she was now herself addressed.
Indeed, when Felicity Falcon first contemplated her countenance in
the mirror under that confection in which Miss Pounce considered her
own genius had reached its most perfect expression, so deep an air of
tragedy spread itself over her features that the sprightly milliner
thought in dismay, “Heaven be good to me; to see her one would think my
lovely feathers were crowning a hearse!”
But as if she guessed her companion’s thoughts, the play-actress
instantly resumed a jocund air, and, twisting her head from side to
side, treated her own reflection to smiles of different meanings,
as though testing their effect; mischief, archness, innocent mirth,
mockery, melancholy, chased each other across her fair countenance like
shadows over a pool, and in each Miss Pounce could have cried out to
her to stay it, vowing that she was more perfect in it than the last.
Public-domain text, read in full here on John Shaqi.
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