Pamela Pounce: A tale of tempestuous petticoatsCastle, Egerton
History
Pamela Pounce: A tale of tempestuous petticoats
Castle, Egerton
Great Britain -- History -- George III, 1760-1820 -- Fiction; London (England) -- Fiction; Romance fiction
“A duel, Madam? Five, to my certain knowledge,” asseverated the Beau.
“And all with more or less serious results.”
“Pshaw, ’tis like an Italian tale of the evil eye!” Nan shuddered.
“I’ll not go to Drury Lane and come under it, ’tis pos! _Pray, Miss
Pounce? Oh, no, not green! Green! Am I never to get away from it?_”
* * * * *
Miss Falcon’s fame did not suffer from the double tragedy of which she
had been so singularly the cause. She withdrew from the programmes for
a week after the funerals of the two unfortunate noblemen, and then
reappeared, to play to houses more crowded, more enthusiastic than
ever. The wild rumours which began to circulate about her only served
to increase the public frenzy.
Pamela Pounce, much occupied with the Walsingham mourning, was for some
time unable to gratify her desire to see Fair Fatality act once more;
a desire which--so far was she from sharing Lady Anne Day’s fears--had
now indeed become a kind of obsession. When circumstances permitted her
at last to indulge herself, she purchased a ticket in the forefront
of the gallery, and prepared to enjoy a couple of hours complicated
emotion. To her amazement, at the end of the second act a note was
handed to her:
“_I have just seen your kind face. Will you be a Friend to me
to-night, and come back with me to my house? If you can do me this
favour--my heart tells me you will--meet me at the stage door after
the last act._
“FELICITY FALCON.”
At any time the adventure was one likely to tempt a girl of Pamela’s
spirit. In present circumstances, wrought to the highest pitch
of excitement and interest by the emotions of the drama and the
personality of the young play-actress, the invitation came to her as
the magic fulfilment of a dream. Although never had Miss Falcon’s
acting been more poignant, more intense in passion and tragedy, the
milliner could hardly wait for the drop of the curtain, so eager was
she to enter upon what she could not avoid considering the more
thrilling drama still.
The crowds that packed the theatre were so immense, and the
determination to recall the favourite so obstinate and prolonged, that
it was after considerable delay that Pamela found herself at last at
the stage door.
An elegant, sober-looking carriage, with servants in dark liveries,
stood in waiting, and just behind it a hackney coach.
Miss Falcon, hooded and cloaked, escorted by a group of gentlemen,
stepped forward and took her hand.
“I knew you would come,” she whispered. Her manner was preoccupied.
“This is no place for introductions,” she went on, turning to her
escort. “Since it must be, let us even start.”
“Sheridan,” said one who walked in advance of the others, one, indeed,
whom the milliner, with a thumping heart, scarce dared recognise as the
heir to the throne, “you accompany the ladies.”
Public-domain text, read in full here on John Shaqi.
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