Panama and the Canal in Picture and ProseAbbot, Willis J. (Willis John)
History
Panama and the Canal in Picture and Prose
Abbot, Willis J. (Willis John)
Panama Canal (Panama) -- History
The visitor to the Cut during the period of construction found two types
of drills, the tripod and the well, busily preparing the chambers for
the reception of the dynamite. Of the former there were 221 in use, of
the latter 156. With this battery over 90 miles of holes have been
excavated in a month, each hole being about 27 feet deep. The drills are
operated by compressed air supplied from a main running the length of
the Cut and are in batteries of three to eight manned by Jamaica negroes
who look as if the business of standing by and watching the drill
automatically eat its way into the rock heartily agreed with their
conception of the right sort of work.
[Illustration: IN THE CUCARACHA SLIDE]
He who did not see the Culebra Cut during the mighty work of excavation
missed one of the great spectacles of the ages--a sight that at no other
time, or place was, or will be, given to man to see. How it was best
seen many visits left me unable to determine. From its crest on a
working day you looked down upon a mighty rift in the earth’s crust, at
the base of which pigmy engines and ant-like forms were rushing to and
fro without seeming plan or reason. Through the murky atmosphere strange
sounds rose up and smote the ear of the onlooker with resounding clamor.
He heard the strident clink, clink of the drills eating their way into
the rock; the shrill whistles of the locomotives giving warning of some
small blast, for the great charges were set off out of working hours
when the Cut was empty; the constant and uninterrupted rumble that told
of the dirt trains ever plying over the crowded tracks; the heavy crash
that accompanied the dumping of a six-ton boulder onto a flat car; the
clanking of chains and the creaking of machinery as the arms of the
steam shovels swung around looking for another load; the cries of men,
and the booming of blasts. Collectively the sounds were harsh,
deafening, brutal such as we might fancy would arise from hell were the
lid of that place of fire and torment to be lifted.
But individually each sound betokened useful work and service in the
cause of man and progress as truly as could the musical tinkle of cow
bells, the murmur of water over a village millwheel, or the rude melody
of the sailors’ songs as they trim the yards for the voyage to the
distant isles of spice. The hum of industry that the poets have loved to
tell about loses nothing of its significance when from a hum it rises to
a roar. Only not all the poets can catch the meaning of its new note.
[Illustration: BROW OF GOLD HILL, CULEBRA CUT]
Public-domain text, read in full here on John Shaqi.
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