The public library, as we understand the name to-day, has had but a brief existence compared with the mere housing of collections of books which has gone on through countless ages. With the change from the old ideas of safeguarding the precious books themselves to the advanced theory of placing their priceless contents within the easy reach of all, has come an equally important change in the character of the custodian of the books. The duties of the modern librarian are such that he must be not only something of a scholar, in the best sense of the word, but he must be capable also of properly directing others in the pursuit of learning, and, withal, combine executive ability with a highly specialized professional facility. The result of carefully conceived courses of training is apparent in the wonderful results achieved through the devoted and untiring efforts of the members of this Association towards a constant betterment of their charges, and a closer bonding, through affection, between the masses of the people and that portion of the books which lies between the covers. My purpose in recalling to your memory the wonderful advance made by training in your profession in a comparatively short time, is to give point to an analogy I wish to draw, showing a corresponding advance in the profession of architecture. Not so very many years ago there were ample grounds for the recalling by Mr. David P. Todd of Lord Bacon's warning against the sacrifice of utility to mere artistic composition in the following words: "Houses are built to Live in, and not to Looke on: Therefore let Use bee preferred before Uniformitie; Except where both may be had Leave the Goodly Fabrickes of Houses, for Beautie only, to the Enchanted Pallaces of the Poets; Who build them with small Cost": but to-day, thanks to the munificence of the French government and the untiring energy of some of those who have profited by it, in fostering the growth of our own architectural schools, there are few sections of this broad land which have not one or more worthy followers of Palladio and Michael Angelo. Hunt, Richardson and Post were among the first to receive the training of the Ecole des Beaux Arts, and they, moreover, had the rare judgment to take the training only, adapting their designs to the climatic and other local conditions rather than attempting the importation of French forms as well as method of design. Their example and the impetus they were able to impart to the technical schools have been potent factors in the development of the talent of American architects. While it is true, and more the pity, that some students return from Paris with the idea that because Paris is a beautiful city architecturally, the simple injection of some of their own masterpieces into our diverse city street fronts, is going to reincarnate our municipalities, the major portion are sufficiently discriminating to realize that Paris owes much of its charm to a symmetry under