Parallel Paths: A Study in Biology, Ethics, and ArtRolleston, T. W. (Thomas William)
Philosophy
Parallel Paths: A Study in Biology, Ethics, and Art
Rolleston, T. W. (Thomas William)
Art; Ethics; Science -- Philosophy
It seemed, as it were, to have been somehow _prepared beforehand_ and
to lie latent awaiting only the right touch to spring into action.
Finally, Herbert Spencer, who may be said to have brought all this
line of thinking to its climax, seized on the evolution doctrine as
explaining this intuitive and innate quality of ethical feeling. It
_was_ prepared beforehand, far back in the ancestry of the race. Not
the punishments and rewards applied to the modern individual in his own
person, but those which affected his near and remote progenitors, had,
in the course of countless generations, built up “moral perceptions”
resulting from “inherited modifications caused by accumulated
experiences.”[144] The moral sense, therefore, is _now_ really innate
because inherited, but was once acquired by the operation of pleasures
and pains arising from man’s intercourse with nature and with his
fellows. And the ultimate moral criterion in the present day remains
simply the striking of a balance between pleasure and pain.[145]
It is clear that if the Lamarckian doctrine of the inheritance of
acquired characteristics is a delusion, the bottom is at once knocked
out of the Spencerian system of ethics. But apart from this, that
system, on the historical side at least, is vitiated by the cardinal
defect in Mr. Spencer’s mind—his failure to appreciate the true nature
of the data with which he had to deal. The philosophic mind is not
a mere logic-machine. It must include the faculty of vision, the
vital perception of the objects of thought, as well as the faculty
of observing and of generalizing about their action and reaction on
each other, and from this point of view Mr. Spencer’s deficiency as a
philosopher is enormous. A vital perception of the object in this case
makes us at once aware that you cannot evolve a sense of Duty, “stern
daughter of the voice of God,” out of pleasures and pains. Pleasures
and pains _per se_ will yield nothing to the end of the chapter but the
sense or the recollection of pleasure and of pain. It is as impossible
in psychology as it is in mechanics to juggle more power out of the end
of a sequence of causes and effects than you put in at the beginning.
Public-domain text, read in full here on John Shaqi.
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