In 1642, when the mighty cardinal had attained the highest pinnacle of success and fame, a mortal disease declared itself. His physicians talked the usual platitudes of hope, but he would have none of them, and sent for the _curé_ of St. Eustache. "Do you pardon your enemies?" the priest asked. "I have none, save those of the state," replied the dying cardinal, and, pointing to the Host, exclaimed, "There is my judge." "At my entry to office," he wrote to Louis XIII. in his political testament, "your Majesty divided the powers of the state with the Huguenots; the great nobles demeaned themselves as if they were not your subjects; the governors of provinces acted as independent sovereigns. In a word, the majesty of the crown was degraded to the lowest depths of debasement and was hardly recognisable at all." We have seen how the cardinal changed all that; yet Louis heard of his death without emotion, and simply remarked--"Well, a great politician has gone." In six months his royal master was gone too. Louis has one claim to distinction; he was the first king of France since St. Louis who lived a clean life. [Illustration: THE MEDICI FOUNTAIN, LUXEMBOURG GARDENS.] Paris, under Marie de' Medici and Richelieu, saw many and important changes. In 1612 a new Jacobin monastery was founded in the Rue St. Honoré for the reformed Dominicans, destined to be later the theatre of Robespierre's triumphs and to house the great Jacobin revolutionary club.[128] In the same year the queen-regent bought a château and garden from the Duke of Piney-Luxembourg, and commissioned her architect, Solomon Debrosse, to build a new palace in the style of the Pitti at Florence. The work was begun in 1615, and resulted in the picturesque but somewhat Gallicised Italian palace which, after descending to Gaston of Orleans and his daughter the Grande Mademoiselle, ends a chequered career as palace, prison, house of peers, socialist-meeting place by becoming the respectable and dull Senate-house of the third Republic. The beautiful Renaissance gardens have suffered but few changes; adorned with Debrosse's picturesque fountain, they form one of the most charming parks in Paris. The same architect was employed to restore the old Roman aqueduct of Arceuil and finished his work in 1624. In 1614 the equestrian statue in bronze of Henry IV., designed by Giovanni da Bologna, and presented to Marie by Cosimo II. of Tuscany, reached Paris after many vicissitudes and was set up on the Pont Neuf by Pierre de Fouqueville, who carved for it a beautiful pedestal of marble, whereon were inscribed the most signal events and victories of Henry's reign. This priceless statue was melted down for cannon during the Revolution, and for years its site was occupied by a _café_. In 1818, during the Restoration, another statue of Henry IV., by Lemot, cast from the melted figure of Napoleon I. on the top of the Vendôme column, was erected where it now stands.