Paris (France) -- Description and travel; Paris (France) -- History
But this new development was regarded with small favour by the
Government, always suspicious of any form of social and intellectual
activity. Politics were forbidden, and spies haunted the precincts of
the chief cafés. Ill fared the man, however distinguished, whose
political feelings overmastered his prudence, for an invidious phrase
was not infrequently the password to the Bastille. It was difficult even
to discuss philosophy, and the lovers of wisdom who met at Procope's
were reduced to inventing a jargon for its principal terms--Monsieur
l'Etre for God, Javotte for Religion and Margot for the Soul--to put
spies off the scent, not always with success. No newspapers were
provided until the Revolutionary time, when the _Gazette_ or the
_Journal_ became more important than the coffee: the cafés of the Palais
Royal were then transformed into so many political clubs, where every
table served as a rostrum of fiery declamation, for the agitated and
eventful summer of 1789 was a rainy one, to the good fortune of the
Palais Royal houses. No. 46 Rue Richelieu stands on the site of the Café
de Foy, the senior and most famous of them, founded in 1700. It extended
through to the gardens of the Palais Royal, and in early times its
proprietor was the only one permitted to place chairs and tables on the
terrace. There, in the afternoon, would sit the finely-apparelled sons
of Mars, and other gay dogs of the period, with their scented perukes,
amber vinaigrettes, silver-hilted swords and gold-headed canes, quizzing
the passers-by. In summer evenings, after the conclusion of the opera at
8.30., the _bonne compagnie_ in full dress would stroll under the great
overarching trees of the _grand allée_, or sit at the cafés listening to
open-air performers, sometimes remaining on moonlight nights as late as
2 a.m. Between 1770 and 1780 the favourite promenade was the scene of
violent conflicts between the partisans of Gluck and Piccini, and many a
duel was recorded between the champions of the rival musical factions.
[Illustration: IN THE GARDEN OF THE TUILERIES.]
Public-domain text, read in full here on John Shaqi.
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