Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
Were it not for a sort of English horror of standing before
shop-windows, the walking along that Quai Voltaire might occupy an
entire morning. From the first wide-spread display of "remarkable
people" for five sous apiece--and there are heads among them which
even in their rude lithography would repay some study--from this
five-sous gallery of fame to the entrance of the Rue de Seine, it is
an almost uninterrupted show;--books, old and new--rich, rare, and
worthless; engravings that may be classed likewise,--_articles
d'occasion_ of all sorts,--but, far above all the rest, the most
glorious museums of old carving and gilding, of monstrous chairs,
stupendous candlesticks, grotesque timepieces, and ornaments without a
name, that can be found in the world. It is here that the wealthy
fancier of the massive splendour of Louis Quinze comes with a full
purse, and it is hence that beyond all hope he departs with a light
one. The present royal family of France, it is said, profess a taste
for this princely but ponderous style of decoration; and royal
carriages are often seen to stop at the door of _magasins_ so
heterogeneous in their contents as to admit all titles excepting only
that of "_magasin de nouveautés_," but having at the first glance very
greatly the air of a pawnbroker's shop.
During this lounge along the Quai Voltaire, I saw for the first time
some marvellously uncomely portraits, with the names of each inscribed
below, and a running title for all, classing them _en masse_ as "_Les
Prévenus d'Avril_." If these be faithful portraits, the originals are
to be greatly pitied; for they seem by nature predestined to the evil
work they have been about. Every one of them looks
"Worthy to be a rebel, for to that
The multiplying villanies of nature
Do swarm upon him."
It should seem that the materials for rebellion were in Shakspeare's
days much of the same kind as they are in ours. If these be portraits,
the originals need have no fear of the caricaturist before their
eyes--their "villanies of nature" could hardly be exaggerated; and I
should think that H. B. himself would try his pencil upon them in
vain.
On the subject which the examination of these _prévenus d'Avril_
naturally led to, our two French friends seemed to be almost entirely
of the same opinion; the legitimatist confessing that "any king was
better than none," and the doctrinaire declaring that he would rather
the country should have gone without the last revolution, glorious and
immortal as it was, than that it should be exposed to another,
especially such a one as MM. les Prévenus were about to prepare for
them.
Public-domain text, read in full here on John Shaqi.
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