Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
The party who advocate the cause of democracy do indeed make the most
noise--it is ever their wont to do so. Neither the Chamber of Deputies
nor the Chamber of Peers can assemble nightly at a given spot to
scream "Vive le Roi!" nor are the quiet citizens, who most earnestly
wish to support the existing government, at all more likely to leave
their busy shops for this purpose than the members of the two Chambers
are to quit their _hôtels_;--so that any attempt to judge the
political feelings of the people by the outcries heard in the streets
must of necessity lead to error. Yet it is of such judgments, both at
home and abroad, that we hear the most.
As to the real private feelings on the subject of religion which exist
among the educated portion of the people, it is still more difficult
to form an opinion, for on this subject the strongest indications are
often declared to prove nothing. If churches filled to overflowing be
proof of national piety, then are the people pious: and farther than
this, no looker-on such as myself should, I think, attempt to go.
LETTER XXX.
Madame Récamier.--Her Morning Parties.--Gérard's Picture of
Corinne.--Miniature of Madame de Staël.--M. de
Châteaubriand.--Conversation on the degree in which the
French Language is understood by Foreigners.--The necessity
of speaking French.
Of all the ladies with whom I have become acquainted in Paris, the one
who appears to me to be the most perfect specimen of an elegant
Frenchwoman is Madame Récamier,--the same Madame Récamier that, I will
not say how many years ago, I remember to have seen in London, the
admired of all eyes: and, wonderful to say, she is so still. Formerly
I knew her only from seeing her in public, where she was pointed out
to me as the most beautiful woman in Europe; but now that I have the
pleasure of her acquaintance, I can well understand, though you who
know her only by the reputation of her early beauty may not, how and
why it is that fascinations generally so evanescent are with her so
lasting. She is, in truth, the very model of all grace. In person,
manner, movement, dress, voice, and language, she seems universally
allowed to be quite perfect; and I really cannot imagine a better mode
of giving a last finish to a young lady's study of the graces, than by
affording her an opportunity of observing every movement and gesture
of Madame Récamier.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account