Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
Far different, however, is the effect produced by this beautiful and
ingenious branch of art when displayed in the embellishment of cups
and plates, vases and tea-trays. I never saw anything more gracefully
appropriate to the last high finish of domestic elegance than all the
articles of this description exhibited this year at the Louvre. It is
impossible to admire or to praise them too much; or to deny that,
wonderfully as similar manufactories have improved in England within
the last thirty years, we have still nothing equal to the finer
specimens of the Sèvres porcelain.
These rooms were, like every other place in Paris where human beings
know that they shall meet each other, extremely full of company; and I
have certainly never seen such ecstasy of admiration produced by any
objects exhibited to the public eye, as was elicited by some of the
articles displayed on this occasion: they are indeed most beautiful;
the form, the material, the workmanship, all perfect.
The Sèvres manufactory must, I think, have some individuals attached
to it who have made the theory of colour an especial study. It is
worth while to walk round the vast table, or rather platform, raised
in the middle of the apartment, for the purpose of examining the
different sets, with a view only to observe the effect produced on the
eye by the arrangement of colours in each.
The finest specimens, after the wonderful copies from pictures which I
have already mentioned, are small breakfast-sets--for a _tête-à-tête_,
I believe,--enclosed in large cases lined either with white satin or
white velvet. These cases are all open for inspection, but with a
stout brass bar around, to protect them from the peril of too near an
approach. The lid is so formed as exactly to receive the tray; while
the articles to be placed upon it, when in use, are arranged each in
its own delicate recess, with such an attention to composition and
general effect as to show all and everything to the greatest possible
advantage.
Some of these exquisite specimens are decorated with flowers, some
with landscapes, and others with figures, or miniatures of heads,
either superlative in beauty or distinguished by fame. These beautiful
decorations, admirable as they all are in design and execution, struck
me less than the perfect taste with which the reigning colour which
pervades each set, either as background, lining, or border, is made to
harmonize with the ornaments upon it.
Public-domain text, read in full here on John Shaqi.
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