Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
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Je ne crains pas le nom que je laisse après moi."
The peculiarly horrid manner in which the crime was committed, and the
audacious style in which the criminal appears to brave justice, will,
it is thought, prevent any _extenuating circumstances_ being pleaded,
as is usually done, for the purpose of commuting the punishment of
death into imprisonment with enforced labour. It is generally expected
that this atrocious murderer will be guillotined, notwithstanding the
averseness of the government to capital punishment.
The circumstances are, indeed, hideous in all ways, and the more so
from being mixed up with what is miscalled the tender passion. The
cannibal fury which sets a man to kill his foe that he may eat him,
has fully as much tenderness in it as this species of affection.
When "the passion is made up of nothing but the finest parts of love,"
it may, perhaps, deserve the epithet of tender; but we have heard of
late of so many horrible and deliberate assassinations, originating in
what newspapers are pleased to call "_une grande passion_" that the
first idea which a love-story now suggests to me is, that the sequel
will in all probability be murder "most foul, strange, and unnatural!"
Is there in any language a word that can raise so many shuddering
sensations as "_La Morgue_?" Hatred, revenge, murder, are each
terrible; but La Morgue outdoes them all in its power of bringing
together in one syllable the abstract of whatever is most appalling in
crime, poverty, despair, and death.
To the ghastly Morgue are conveyed the unowned dead of every
description that are discovered in or near Paris. The Seine is the
great receptacle which first receives the victims of assassination or
despair; but they are not long permitted to elude the vigilance of the
Parisian police: a huge net, stretched across the river at St. Cloud,
receives and retains whatever the stream brings down; and anything
that retains a trace of human form which is found amidst the product
of the fearful draught is daily conveyed to La Morgue;--DAILY; for
rarely does it chance that for four-and-twenty hours its melancholy
biers remain unoccupied; often do eight, ten, a dozen corpses at a
time arrive by the frightful caravan from "_les filets de St. Cloud_."
I have, in common with most people, I believe, a very strong
propensity within me for seeing everything connected directly or
indirectly with any subject or event which has strongly roused my
curiosity, or interested my feelings; but, strange to say, I never
feel its influence so irresistible as when something of shuddering
horror is mixed with the spectacle. It is this propensity which has
now induced me to visit this citadel of death;--this low and solitary
roof, placed in the very centre of moving, living, laughing Paris.
Public-domain text, read in full here on John Shaqi.
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