Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
The service of this day, as far as the music was concerned, was in my
opinion infinitely less impressive than that of Good-Friday at St.
Roch. This doubtless arose in a great degree from the style of
composition; but I suspect, moreover, that my imagination was put out
of humour by seeing about fifty fiddlers, with every appearance of
being (what they actually were) the orchestra of the opera, performing
from a space enclosed for them at the entrance of the choir. The
singing men and boys were also stationed in the same unwonted and
unecclesiastical place; and though some of those hired for the
occasion had very fine Italian voices, they had all the air of singing
without "reading the words;" and, on the whole, my ear and my fancy
were disappointed.
Victor Hugo's description of old Paris as seen from the towers of
Notre Dame sent us labouring to their summit. The state of the
atmosphere was very favourable, and I was delighted to find that the
introduction of coal, rapid as its progress has lately been, has not
yet tinged the bright clear air sufficiently to prevent this splendid
panorama from being distinctly seen to its remotest edge. That
impenetrable mass of dun, dull smoke, that we look down upon whenever
a mischievous imp of curiosity lures us to the top of any dome, tower,
or obelisk in London, can hardly fail of making one remember every
weary step which led to the profitless elevation; but one must be
tired indeed to remember fatigue while looking down upon the bright,
warm, moving miniature spread out below the towers of Notre Dame.
What an intricate world of roofs it is!--and how mystically
incomprehensible are the ins and outs, the bridges and the islands, of
the idle Seine! A raft, caught sight of at intervals, bearing wood or
wine; a floating wash-house, with its line of bending naïads, looking
like a child's toy with figures all of a row; and here and there a
floating-bath,--are all this river shows of its power to aid and
assist the magnificent capital which has so strangely chosen to
stretch herself along its banks. When one thinks of the forest of
masts which we see covering whole miles of extent in London, it seems
utterly unintelligible how that which is found needful for the
necessities of one great city should appear so perfectly unnecessary
for another.
Victor Hugo's picture of the scene he has fancied beneath the towers
of Notre Dame in the days of his Esmeralda is sketched with amazing
spirit; though probably Paris was no more like the pretty panorama he
makes of it than Timbuctoo. I heartily wish, however, that he would
confine himself to the representation of still-life, and let his
characters be all of innocent bricks and mortar: for even though they
do look shadowy and somewhat doubtful in the distance, they have
infinitely more nature and truth than can be found among all his
horrible imaginings concerning his fellow-creatures.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account