Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
His description of the old church itself, too, is delicious: for
though it has little of architectural reality or strict graphic
fidelity about it, there is such a powerful air of truth in every word
he says respecting it, that one looks out and about upon the rugged
stones, and studies every angle, buttress, and parapet, with the
lively interest of old acquaintance.
I should like to have a legend, as fond and lingering in its
descriptions, attached to some of our glorious and mysterious old
Gothic cathedrals at home. This sort of reading gives a pleasure in
which imagination and reality are very happily blended; and I can
fancy nothing more agreeable than following an able romancer up and
down, through and amongst, in and out, the gloomy, shadowy, fanciful,
unintelligible intricacies of such a structure. How well might
Winchester, for instance, with its solemn crypts, its sturdy Saxon
strength, its quaintly-coffined relics of royal bones, its Gothic
shrines, its monumental splendour, and its stately magnitude, furnish
forth the material for some such spirit-stirring record!
Having spent an hour of first-rate interest and gratification in
wandering inside and outside of this very magnificent church, we
crossed the Place, or _Parvis_, of Notre Dame, to see the celebrated
hospital of the Hôtel Dieu. It is very particularly large, clean,
airy, and well-ordered in every way; and I never saw sick people look
less miserable than some scores of men and women did, tucked snugly up
in their neat little beds, and most of them with a friend or relative
at their side to console or amuse them.
The access to the wards of this building is as free as that into a
public bazaar; but there is one caution used in the admission of
company which, before I understood it, puzzled me greatly. There are
three doors at the top of the fine flight of steps which leads to the
building. The centre one is used only as an exit; at the other two are
placed guards, one a male, the other a female. Through these
side-doors all who enter must pass--the men on one side, the women on
the other; and all must submit to be pretty strictly examined, to see
that they are conveying nothing either to eat or drink that might be
injurious to the invalids.
The covered bridge which opens from the back part of the Hôtel Dieu,
connecting _l'Isle de la Cité_ with the left bank of the Seine, with
its light glass roof, and safe shelter from wind, dust, or annoyance
of any kind, forms a delightful promenade for the convalescent.
Public-domain text, read in full here on John Shaqi.
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