Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
The scene itself was one of enchanting gaiety. Before us rose the
illuminated pavilions of the Tuileries: the bright lights darting
through the oleanders and myrtles on the balcony, showed to advantage
the royal party stationed there. On every side were trees, statues,
flowers, brought out to view by unnumbered lamps rising in brilliant
pyramids among them, while the inspiring sounds of martial music
resounded in the midst. The _jets d'eau_, catching the artificial
light, sprang high into the air like arrows of fire, then turned into
spray, and descended again in light showers, seeming to shed delicious
coolness on the crowd; and behind them, far as the eye could reach,
stretched the suburban forest, sparkling with festoons of lamps, that
seemed drawn out, "fine by degrees and beautifully less," up to the
Barrière de l'Etoile. The scene itself was indeed lovely; and if,
instead of the heavy silence with which it was regarded, a loud
heartfelt cheering had greeted the _jour de fête_ of a long-loved
king, it would have been perfect.
The fireworks, too, were superb; and though all the theatres in Paris
were opened gratis to the public, and, as we afterwards heard,
completely filled, the multitudes that thronged to look at them seemed
enough to people a dozen cities. But it is so much the habit of this
people, old and young, rich and poor, to live out of doors, that a
slight temptation "bye common" is sufficient to draw forth every human
being who is able to stand alone: and indeed, of those who are not,
thousands are deposited in chairs, and other thousands in the arms of
mothers and nurses.
The Pont Louis-Seize was the point from which all the fireworks were
let off. No spot could have been better chosen: the terraces of the
Tuileries looked down upon it; and the whole length of the quays, on
both sides of the river, as far as the _Cité_, looked up to it, and
the persons stationed on them must have seen clearly the many-coloured
fires that blazed there.
One of the prettiest popular contrivances for creating a shout when
fireworks are exhibited here, is to have rockets, sending up
tri-coloured balls, blue, white, and red, in rapid succession,
looking, as I heard a young republican say, "like winged messengers,
from their loved banner up to heaven." I could not help remarking,
that if the messengers repeated faithfully all that the tri-coloured
banner had done, they would have strange tales to tell.
The _bouquet_, or last grand display that finished the exhibition, was
very fanciful and very splendid: but what struck me as the prettiest
part of the whole show, was the Chamber of Deputies, the architecture
of which was marked by lines of light; and the magnificent flight of
steps leading to it having each one its unbroken fencing of fire, was
perhaps intended as a mystical type of the ordeal to be passed in a
popular election before this temple of wisdom could be entered.
Public-domain text, read in full here on John Shaqi.
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