Paris and the Parisians in 1835 (Vol. 2)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 2)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
I have more than once mentioned to you my observations on the
reception given in Paris to that terrible school of composition which
derives its power from displaying, with strength that exaggerates the
vices of our nature, all that is worst and vilest in the human heart.
I have repeatedly dwelt upon the subject, because it is one which I
have so often heard treated unfairly, or at least ignorantly, in
England; and a love of truth and justice has therefore led me to
assure you, with reiterated protestations, that neither these
mischief-doing works nor their authors meet at all a better reception
in Paris than they would in London.
It is this same love of truth and justice which prompts me to separate
from the pack one whom nature never intended should belong to it. The
lady who writes under the signature of George Sand cannot be set aside
by the sternest guardian of public morals without a sigh. With
great--perhaps, at the present moment, with unequalled power of
writing, Madame de D---- perpetually gives indications of a heart and
mind which seem to prove that it was intended her place should be in a
very different set from that with which she has chosen to mingle.
It is impossible that she should write as she has done without
possessing some of the finest qualities of human nature; but she is
and has been tossed about in that whirlpool of unsettled principles,
deformed taste and exaggerated feeling, in which the distempered
spirits of the day delight to bathe and disport themselves, and she
has been stained and bruised therein. Yet she has nothing in common
with their depraved feelings and distorted strength; and there is so
much of the divine spirit of real genius within her, that it seems as
if she could not sink in the vortex that has engulfed her companions.
She floats and rises still; and would she make one bold effort to free
herself from this slough, she might yet become one of the brightest
ornaments of the age.
Not her own country only, but all the world have claims on her; for
genius is of no nation, but speaks in a language that can be heard and
understood by all. And is it possible that such a mind as hers can be
insensible to the glory of enchanting the best and purest spirits in
the world?... Can she prefer the paltry plaudits of the obscure herd
who scorn at decency, to the universal hymn of love and praise which
she must hear rising from the whole earth to do honour to the holy
muse of Walter Scott?
The powers of this lady are of so high an order as in fact to withdraw
her totally, though seemingly against her will, from all literary
companionship or competition with the multitude of little authors
whose moral theories appear of the same colour as her own; and in the
tribute of admiration which justice compels me to pay her, my memory
dwells only on such passages as none but herself could write, and
which happily all the world may read.
Public-domain text, read in full here on John Shaqi.
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